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A cautionary rock 'n' roll tale: Q&A with Alannah Myles

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Alannah Myles made it look easy. Seemingly from out of nowhere, the Toronto native burst onto the scene with the worldwide hit “Black Velvet.” But the reality was that it was exhausting, and the struggle took its toll. Myles dropped off the map for years as she recovered. Now back in the saddle, she is ready for a comeback.

 

How was it trying to break out as a female artist in ’80s Toronto?
Trying to get a record deal in Toronto in the ’80s was, for me, virtually impossible. In my young twenties, I was once asked by an A and R man at a major label in Canada what would happen if I were signed and decided I wanted to get married and start a family. When I wasn’t dealing with misogynistic “professionals,” I was deluged with rejection letters.

Did you find the industry supportive?
Hardly. In fact, it was as if I were in a circus gong show and I was the target … Toronto in particular is a city with tremendous talent but an inconceivably high level of negativity.

Do you think it’s easier or more difficult for young women trying to make it in the music industry in Toronto today?
I don’t think gender has anything to do with the success of an artist. Nowadays all sexuality is accepted. I do, however, believe it will always be an extremely difficult career choice for a young woman to find her way without the help of management or some kind of professional. Particularly if she is attractive.

What was it like to have so much success so quickly?
I won a Grammy for Best Female Rock Vocalist with “Black Velvet.” I was nominated for a Grammy with “Rockinghorse” from my second record but lost to a suspiciously similar song to “Black Velvet” written by Melissa Etheridge. When I finally did get my first record recorded and released, I was met with a whirlwind of success in a country that has a tendency to eat its own… I refused to do things the way I was expected to, in an attempt to forge a unique concept of originality or individuality that was mistaken for “arrogance” or “difficulty.” Truthfully, I didn’t give a rat’s ass what anyone else thought or did.

The latest is your first album in eight years. What kept you from recording in all that time?
I needed to heal the scars caused by my first two labels, Atlantic Records and Miles Copeland’s Ark 21 Records who left me bereft of funds after selling millions of records.

What can we expect from your Canada Day concert?
We will be performing a collection of my classic hits and some material from my other records that lend themselves to a more blues-rock style. It will be wonderful to perform in Toronto again.

Alannah Myles will play at this year’s Summerfest, July 1, Woodbine Park

Our thoughts on Spearhead’s Hawaiian Style Pale Ale

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Before sampling the inaugural offering of the newly-minted Spearhead Brewing Company, the Hawaiian Style Pale Ale, at a tasting at Allen’s on the Danforth, I had never had the opportunity to sample a true Hawaiian pale ale. I had been making jokes about the beer being made with pineapple that very afternoon. Turns out I was right.

Poured into Spearhead’s unique and (very fetching) glassware, the brew has some serious aroma. I’m not going to say I was whisked away to a tropical paradise, but it did offer a hint of the tropics with its citrus notes. Pineapple juice is added to the mix — just enough to give it the fruity notes that make it a great beer for the warm weather. The beer itself just tastes good, with plenty of upfront flavour, crispness and a belt of hops that’ll dry out your mouth quicker than a kiss from your great aunt Pearl.

Spearhead founder and North Toronto local Dimitri van Kampen said the beer would work to take the edge off on a cold winter’s night. But I’m not convinced. When I smell and taste citrus, and floral notes, I think summer. But maybe that’s just me.

It seems van Kampen is something of a spicy food aficionado, and in creating the pale ale he was determined to craft a beer that would work with the likes of Indian and Thai fare. Matching wines with such full-on fare has long been a challenge. Beer works well in its place. And Spearhead’s Hawaiian Style Pale Ale did complement the rich foods served at the tasting, especially the tandoori wings and the sweet chili from the Thai shrimp.

Lawyer by day, brewmeister by night, van Kampen started the company with the slogan “beer without boundaries” as its malt mantra. According to him, if it’s already being done well on the market, he won’t bother with it. The aforementioned Hawaiian Style Pale Ale is just the first of Spearhead’s brews, with as many as three more in the works, set for release as early as this fall.

Van Kampen, who continues to work as the head of legal affairs for a Toronto company, dreamt up the brewery after getting “packaged out” of his last job in London, England, during the credit crisis. Turns out his firm’s two largest clients were Merrill Lynch and Lehman Brothers. Enough to drive a man to drink! This news, combined with the passing of his father, was enough to give him pause to evaluate the state of things, as one tends to do under such circumstances. The answer was to pursue something he loves. Beer is that something. And van Kampen put in the first of many long nights spent bringing the Spearhead Brewing Company to fruition.

“It’s been a rollercoaster ride,” he says. He’s built a small but enthusiastic team around him, including his wife, Karen van Kampen, a journalist by trade who heads up the company’s communications. “I’ve been operating on four hours sleep for about two years.”

Is it really so bad, spending your evenings sampling beer after beer to get the recipe right, I ask?

“Well, after the first couple, it’s great, of course,” he says. “But after the 25th or 30th…? But I do have a love for this. I wouldn’t be doing it if I didn’t.”

Spearhead’s Hawaiian Style Pale Ale is currently available on tap in more than two dozen Toronto locations, including favourite local watering holes The Rebel House, The Twisted Kilt and Highway 61.

Five completely absurd reasons to disagree with Canada’s new plastic money

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As you’ve surely heard by now, Canada is getting new money. The new polymer bills will start circulating this November, with a new look, higher durability and new security features. Sure, it sounds good on the surface, but we’re suspicious. Since we couldn’t think of any real reasons to disagree with the new money, here are five absurd ones:

 

 

1. Showing off just got a whole lot less fun. The new bills are plastic-like, which means they probably won’t light cigars as well as the old ones.

2. Say goodbye to money origami. This one is pretty self-explanatory, but yeah, polymer doesn’t sound very foldable. The ancient art of money origami is bound for extinction.

3. Vintage is cool. The new look has too many holograms. It makes us feel like we belong in Back to the Future Part II’s future, or something.

4. Prepare to have your soul examined. Former Prime Ministers Sir Robert Borden and William Lyon Mackenzie King will still be on their respective bills, but in the new design, they apparently look you straight in the eye. That’s kind of creepy. We want money, not a staring contest.

5. They are recyclable. Doesn’t this sound like the most useless feature ever? Will they be accepted in home recycling bins? Or will we have to dispose of our money at special money-collecting depots? We predict most Canadians will simply throw their money into the garbage.

Bollywood 101: a primer for this year’s International Indian Film Academy Awards

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The International Indian Film Academy Awards, otherwise known as Bollywood’s Oscars, is set to make its North American debut at Toronto’s Rogers Centre on Saturday. With over 40,000 visitors expected, the event is a spectacle not to be missed. For those of us unfamiliar with the celebrity talent that will walk the traditional green carpet, here are the top five (beautiful) faces to keep your eye on.

 

Shah Rukh Khan

If his nickname “King Khan” doesn’t give you an idea of this guy’s stature, then maybe the fact that his appearance at last year’s TIFF drew a larger crowd than Brad Pitt’s will. Not only is he nominated for Best Male Performance in a Leading Role, but he’ll be showing off his slick dance moves in a much-anticipated performance during Saturday’s ceremony.

Priyanka Chopra

Chopra is Bollywood’s Angelina Jolie: a sultry bombshell with mad acting skills. She made her screen debut in 2002 and has since racked up some serious acting accolades (and was once linked to Gerard Butler).Though not nominated this year, the former Miss World is certain to turn many heads.

Anil Kapoor

Many of you may recognize Kapoor as the “Indian Regis Philbin” in the Oscar-winning Slumdog Millionaire. While he’s known for taking on serious roles (he was featured in 24 and has a part in the upcoming Mission: Impossible 4), this year he’s nominated for Best Performance in a Comic Role.

Aishwarya Rai Bachchan

It would be hard to find someone who doesn’t recognize this actress, often hailed as “the most beautiful woman in the world.” When the former Miss World married fellow actor Abhishek Bachchan in 2007, the couple instantly became Bollywood’s own Brangelina. Though she’s nominated for Best Actress, Rai Bachchan will be skipping this year’s ceremony (maybe because of her recently announced pregnancy?)

Salman Kahn

Apparently Salman Kahn and Shah Rukh Kahn (no relation) have some beef — and it’s not just because they’re facing each other in the Best Actor category. The two apparently almost got into fisticuffs over a remark Rukh Kahn made about Aishwarya Rai Bachchan (Salman Kahn had dated her for years) at a party. There’s been bad blood ever since. Known for his tough guy roles, Kahn’s like the Bruce Willis of Bollywood, so if we were Rukh Khan, we’d steer our dance moves away from him.

How to make like the Biebs and give props to the 90s

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Though this season’s excess of baby tees and brightly-coloured denim had already tipped us off that we were experiencing some 90s nostalgia, it wasn’t until Justin Bieber appeared at this year’s MMVAs wearing a Kelly Kapowski T-shirt that we knew we were truly in the middle of a retro-renaissance. We found the must-have items to help you put together your own super cool 90s look that would make even Cher Horowitz proud.

Crop mock turtleneck – Both crop tops and mock turtlenecks were huge in the 90s. Put them together and you’ve got the ultimate shirt that’s as revealing as it is conservative. We like this one from American Apparel for $29.
Where to buy: 499 Queen Street West, 416-703-5146.

Bright jeans – Denim was all the rage throughout the 90s — the brighter the jeans, the better — thanks to early hip hop influences (think Fresh Prince, Kid ‘n Play). This time around, it’s less Hammer pants and more skinny fit with a high waist. We like this pink pair from Urban Outfitters for $58.
Where to buy: Various locations; check website for your nearest store.

Sling-back shoes – Grunge meets glam with a pair of slick sling-back shoes in popping red. So Courtney Love. Get them at Town Shoes for $55.
Where to buy: 95 Bloor Street West, 416-928-5602

Delicate necklace – After the gaudiness of the 80s, the jewellery of the 90s tended to be on the delicate side (remember Rachel Green and her lariats?) So we like this beaded necklace from Anthropologie for $52 that is both modern and modest.
Where to buy: 19 Clock Tower Road, 416-449-6666

Round sunglasses – These John Lennon-ish shades were all the rage back in the ‘90s. Though the pair we like from White Crow are called Harry Potter sunglasses, we’re pretty certain Donna Martin would dig ‘em.
Where to buy: Buroughes Building, 639 Queen Street West

Is Rosedale ready for horse? Christine Cushing reviews Terroni Bar Centrale

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My first clue that Terroni’s long awaited and latest incarnation, Bar Centrale, was going to feature a drastically different menu than its original pizza-pasta formula was seeing carpaccio di cavallo — otherwise known as horse meat — on the menu. Is the Rosedale set really ready for horse?

After all, this is Toronto, the city whose citizens will gladly hand over their cash if someone threatens to put a gun to a goose’s head. Moreover, the Italian government (in between sex scandals and debt reform) has been talking about banning the sale of horse meat in Italy, where it’s been mainstream for centuries.

This menu item will likely cause some patrons to boycott, but perhaps a bit of controversy is just what this newly refurbished corner and the end of the fanciest row of shops in all the city, dubbed the Five Thieves, needs for a jump-start to draw attention to the newly-renovated surroundings.

The food takes inspiration from many parts of Italy, but it’s the handmade pasta that stands out as some of the most authentic northern Italian food I’ve had outside of Emilia Romagna. And I’ve eaten a lot of pasta.

The massive bar is the focal point and is surrounded by a series of small tables for two.

At a glance, I can tell that this is no pizza-pasta joint such as the familiar one that will open this summer upstairs.

It’s a bustling bar that features many small plates to accompany your affordable — strictly Italian — wine selection by the glass or bottle.

The restoration of the former Patachou Patisserie space feels like a more efficient and elegant use of space with simple whitewashed exposed brick and clean lines of simple dark wood furniture drawing all eyes to the sizable bar.

The mood is set by a few funky lights, and presto, you have a convivial Rosedale meeting place that’s quite a contrast to the many Bar Centrales in Italy, found somewhere in every train station. Since the train station next door has long since turned into a liquor store, there’s no shortage of wine.

I don’t remember feeling this much hesitation when I tasted horse meat in both France and Italy, but that’s what I feel when I taste the carpaccio ($10).

Rustically but delicately presented in two small mounds with fried capers, it is surprisingly mild and beautifully seasoned.

The polenta ($9), a more common item, is wonderfully crisp on the outside with a velvety centre. The Gorgonzola is nicely aged to work with sautéed mushrooms.

A pan-fried snapper filet ($15) melts in your mouth and floats with agrodolce of peppers, raisins, mint and zucchini. My first bite of the lobster ravioli ($12) is heaven, and I realize that I have not had pasta quite like this anywhere outside of Italy; Bologna to be exact.

Even the look of the dish evokes ease, as though just tossed perfectly on a simple white plate with a hand gesture.

The finely rolled pasta is as light as a cloud, and the lobster and mascarpone cheese filling is perfect with a sauce of tomatoes that are hardly cooked, yielding both their sweet and tart notes and robust olive oil.

Polenta topped with delish sautéed mushrooms (L), light-as-air lobster ravioli

 

This could get ugly, and by that I mean I may need to try more and more pasta. Bring on the lasagna alla Bolognese ($12).

My trip to Bologna changed the way I made and felt about lasagna forever, so the anticipation is killing me. It’s served in a small shallow earthenware dish and has at least six layers of spinach pasta, each one paper-thin with a traditional ragu that is not overly loaded with tomato and béchamel between each layer.

I could swear I am in Bologna! I inquire about the chef. And, guess where the tall and lanky chef Fabio Moro is from? Bologna, of course.

Now it all makes sense.

The service is warm and knowledgeable with just enough fun to keep that meeting place vibe. You can eat as little or as much as you like — that’s refreshing.

The room is fairly tight though, so you may just want to catch a train or head upstairs to the Terroni patio, when it opens, for a breath of fresh air.

We try a few more little plates to share, and all are quite pleasing such as the nduja ($9) — the spicy sausage is rich with smoked buffalo ricotta and lovingly touched with just enough heat.

A Sicilian salad is fresh and classic with fennel and orange ($8).

Green pitted olives, stuffed with pork and beef, are breaded and deep fried. This plate seems to involve a ton of work but the result is delectable.

Moro has a far better handle on his kitchen than his sweet offerings, which seems to be a common occurrence these days.

The handmade fig cigarillo is too thick, even though it is filled with a delish mash of orange and fig flavours.

The pistachio cream puffs lack the “puff” and are instead fairly dense with ordinary pistachio filling.

Moro’s passion and drive are both apparent in this menu, and to make all this pasta from scratch with so much finesse — just like he would in his hometown of Bologna — tells me he’s not lowering his bar to suit the Toronto palate. Instead he’s raising us to the heights of Bologna — the culinary capital of Italy.

Post City Magazines food critic Christine Cushing graduated from George Brown and Ecole de Cuisine La Varenne in Paris. She stars in the TV show Fearless in the Kitchen.

Sonic Boom is moving into Honest Ed’s. And now for the obvious: five reasons why that sucks

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Toronto was buzzing yesterday when it was announced that iconic record store Sonic Boom is being forced out of its current location to make way for a new tenant. The store’s only moving half a block away — into a ground-level space at Honest Ed’s — but the face of the neighbourhood is going to change drastically. In case it isn’t obvious, here are five reasons why Sonic Boom’s upcoming move sucks.

 

1. It’s being replaced with a Dollarama. Being pushed out of your home of the last 10 years is harsh enough. But when that new tenant is a Dollarama? That’s just sacrilegious, man.

2. The new store will be smaller. Sonic Boom presently occupies 12,500 square feet on multiple floors. After the move, it will only operate on one floor, and it’ll be smaller by 1,500 square feet. Some may say that’s a small difference, but we say the more Sonic Boom, the better.

3. The awesome displays will be cheapened. Although owner Jeff Barber told BlogTO that the new space will continue to feature Tim Oakley’s super-cool window displays, something tells us that the overabundance of “great deal” puns nearby will slightly detract from the whole experience.

4. It’s going to be in Honest Ed’s. So what if Honest Ed’s is a city “landmark?” That’s the point. Sonic Boom is moving from a location that was uniquely its own to a location that screams — in garish orange and red — Honest Ed’s. Plus, we can never seem to walk into that place without getting lost.

5. It’s going to be in Honest Ed’s. We just thought this point was worth repeating.

On the bright side, here’s news that couldn’t come at a better time: another Sonic Boom location will open in Kensington Market in July, which will apparently have the same homey feel of the current location’s basement room.

Black Hoof and Company delayed for like, an eternity

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Those of us who were waiting for the highly anticipated opening of Black Hoof and Company (read: all of us) are probably going to want to give up on the breath-holding: co-owner Jen Agg announced yesterday that the opening will be delayed. For an entire year.

“We wanted to be perfect, and in order to do that, we’re just giving ourselves more time,” co-owner Grant van Gameren tells us.

The new restaurant, which was set to replace the now-defunct The Hoof Café, will open in spring 2012, he says.

But, if you just can’t wait to get into the new stomping grounds, van Gameren and Agg will be hosting exclusive special dinners to hold you over with the tentatively-titled Hoof House.

“We’re going to be utilizing the space for some special dinners throughout the year until the new place opens,” he says.

While they’re still hammering out the details, the dinners will feature chefs, restaurateurs and bartenders from all over to curb our rumbling tummies.

Think Toronto police could improve? Cop a feel of tonight’s Rethinking Toronto Police forum

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In post-G20 Toronto, attitudes toward the police force seem to have changed drastically among a notable chunk of the city’s population. Claims that police tactics were too heavy-handed, secretive or outright prejudiced reflect problems that some communities have been experiencing long before the ill-fated summit, say organizers of tonight’s Rethinking Toronto Police forum.

But the event, hosted by the Toronto Police Accountability Commission, isn’t simply a response to the G20, organizer Anna Willats tells us. Her group has been putting the microscope to Toronto police practices for a decade now, and believes the mayhem of last year’s summit simply exposed a broader segment of society to some of the issues that have been plaguing marginalized communities for years.

“One of the things that was illustrated is an aggressive and intimidating police culture … arbitrary searches, multiple charges that don’t stand up in court. That kind of thing happens to some people in this city all of the time,” she says, listing racial minorities, homeless people and sex workers as common targets for such tactics. “[During the G20], people whose experience of the police has been more benign got a taste of what other people experience.”

The forum will examine four areas where organizers say there is room for improvement:

Finances: Trinity-Spadina Councillor Adam Vaughan will discuss options for reducing the police budget, which currently sits at about $930 billion, or one-tenth of the money the city spends.

Equality: York University’s Carol Tator will examine ways to handle profiling of various communities.

Police culture: The ongoing saga of G20 protester Dorian Barton has been a prominent reminder that it can be difficult to get police to inform on each other.  “We want to explore that and see what kind of ideas come up to combat that ‘us and them’ attitude,” Willats says. This section will be hosted by Mariana Valverde from the University of Toronto’s Centre for Criminology.

Treatment of youth: Now that police officers are stationed in many Toronto high schools, and with 700 more cops are on the streets than there were 10 years ago, youth have more chances than ever to stumble into trouble with the law, and that could affect them for a lifetime. “It affects your ability to travel, to get a job,” says Willats.

Organizers hope to develop of set of proposals to bring to the Police Services Board and local politicians.

Rethinking Toronto Police starts at 7 p.m. on Monday, June 20 at the 519 Church Street Community Centre

Starting this Sunday, pay homage to Ontario craft beer — all week long

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Father’s Day weekend is shaping up to be lager than life with Ontario Craft Beer Week, starting this Sunday. The week-long, province-wide celebration of Ontario Craft Brewers (OCB) will consist of over 100 events, educating us on such essentials as which chocolate pairs best with which beer and how bacon tastes with a pint (our guess: sweet).

Now in its second year, themes for the week include beer and dad, beer and chocolate, beer and cheese and the unbeatable combination of beer and barbecue. All the beer is brewed locally and fresh by breweries from OCB, including Beau’s and Mill St.

“They’re made by beer artisans,” says Jason Ellsmere of Cameron’s Brewing, co-chair of Ontario Craft Beer Week. “The beer is made by hand instead of by a computer, and there’s a lot of passion behind the breweries.”

There’ll be no shortage of passion at the women’s only (sorry, dudes) beer and chocolate event at Highway 61, hosted by Mirella Amato of Barley’s Angels, a women’s beer club. Dad can enjoy the ‘kegs and eggs’ event held at Grapefruit Moon, where the famous Hoser breakfast sandwich and a pint of OCB beer is just $12 all day.

If you find the smorgasbord of brewskis intimidating, take the beersonality quiz to find out what best suits your mood (scoring “lager and die” must mean we’re ready for the weekend).

Ellsmere’s advice for beer novices is to try, try, try. “The beers are like my children, I can’t pick just one. Some are a little better than others, but I do try as many as I can.”

The hottest table in town

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It’s every restaurateur’s dream: a packed house shortly after opening. Frank Parhizgar and Shawn Cooper have been living the dream for nine months. The husband and wife team are co-owners of Frank’s Kitchen — open for just over a year and fast becoming the darling of the Toronto restaurant scene.

It’s not simply that reading the menu arouses the salivary glands. (Crisp gnocchi in a gorgonzola cream with pancetta or grilled whole lobster with spinach tortellini garnish in a lemon butter sauce are two offerings that might cause involuntary lip licking). But a string of heavyweight food critics have fawned over the eatery’s dishes within the past year leaving little doubt the food measures up to the expectations the sumptuous menu creates.

“Food was always where the love was and the fun was,” Parhizgar says about growing up in his family. “Everything started with food.”

Parhizgar, 34, was born in Iran and arrived in Toronto in 1988 after fleeing the Iran–Iraq War with his parents and two brothers. They first went to Turkey, then Italy and finally settled in Canada. It seems the most vivid memories of his youth are of his family cooking and eating together.

“It didn’t matter where we were,” he says. “There was always some kind of market nearby where we stayed — all in one room — and there was always food cooking.”

Cooper, 42, says her mother is an excellent cook and meals at their home were often a social event.

“When I was a kid, there was always a party going on centered around food,” Cooper says. So it’s no surprise then that both of them gravitated toward the restaurant industry.

Parhizgar was finding success in his early twenties as an amateur athlete, competing for Canada in the 400 metre sprint. But he says it was tough to find financial backing to travel to events, which were mostly in Europe. To save money, Parhizgar decided to move there. While at a competition in Lyon, France, he walked by an old chateau restaurant and noticed a line of chefs in their white uniforms taking a break outside.

“It was beautiful,” Parhizgar says of the vision. During his off-season, Parhizgar went back and asked for a job. Although he started off carrying sacks of potatoes and cases of wine to the cellar, he eventually graduated to the kitchen and spent four years learning from the head chef. Parhizgar admits it was his dedicated work ethic and his willingness to ask questions that made him stand out.

It wasn’t until the chef invited him to help in the early morning hours, when the prep work took place, that Parhizgar began to learn how to cook with his senses.

“That was when the pastry chefs, the sauciers and the bakers came in,” he says. “I got to watch and smell and taste — I realized this was more of an art form.”

Parhizgar also knew cooking was something that could hold his interest in the long term and decided to give up athletics.

“I felt instantly this is my new coach [the chef], my new team, my new arena.”

After returning to Toronto, he enrolled at George Brown College, to learn the business side of a restaurant, then set about building his reputation as a chef.

He spent six years as head chef at the esteemed fine-dining restaurant Centro and, for a short stint, as Marc Thuet’s executive chef at Thuet.

Parhizgar says working with a highly regarded chef like Thuet and realizing he was on the same level technically and creatively gave him the confidence to go it alone.

“You get in the ring with a heavyweight and you realize you can have your own voice and be a champion,” Parhizgar says.

Parhizgar knew then he wanted his own kitchen, but to complete his vision, he needed Cooper. Married for seven years, the two had met working at a French bistro in Rosedale. Parhizgar was the sous chef and Cooper was bartending.

“He looked cute in his whites,” Cooper says with a smile. The two have an easy chemistry, which doubtless filters through to the ambience of their restaurant. They married a year after meeting and moved to a condo near Bloor West Village. Although Cooper attended Humber for radio broadcasting, and went on to have a brief career as a copy writer, she says she was always moonlighting as a host or server at a restaurant.

“I couldn’t wait to get to my night job,” Cooper says and laughs. And the rush of a busy night hasn’t left.

“It’s exciting,” Cooper says about owning a restaurant. “It’s a show — the music goes on, the lights go down, and something different happens every night.”

But it isn’t all champagne and caviar, especially when it’s on your dime.

“It’s not for the faint of heart,” she says. “You risk everything.”

Initially reluctant, she now says she couldn’t imagine not doing it. Parhizgar was persistent, and the couple secured financing from Parhizgar’s brother.

Cooper — who was general manager at the posh Platinum Club at the Air Canada Centre before the opening of Frank’s Kitchen — has risen through the ranks in the restaurant industry, first as host and server, then as bartender and manager. She says her experience in the various levels of the business prepared her well for her current role.

It becomes obvious that while Parhizgar creates the magnificent dishes Cooper keeps the rest of the restaurant in check.

“You have to be resilient and quick on your feet,” she says. “The dishwasher breaks down or the credit card system, and you have to keep going. “You have to have a Plan B, and if that doesn’t work, a Plan C.”

The atmosphere at Frank’s Kitchen is casual, but the food is being recognized as among Toronto’s finest. Each day Chef Parhizgar travels across the city to hand-pick the vegetables and seafood he’ll use for that night’s meal.

He travels once a week to the St. Jacobs Farmers’ Market, in Waterloo, to buy pigs and lamb, and does all of his butchering and charcuterie in-house. The pasta at Frank’s Kitchen is hand rolled, and all of the breads, cheeses, ice creams and sorbets are handmade.

But, cuisine aside, Cooper and Parhizgar are aware that their success also comes from their approach to service. They know some patrons have made reservations seven weeks in advance to sit at a table in their restaurant, and the couple wants to make sure they have a good time.

“It’s like having a party in your living room,” Cooper says. “You’re the consummate host, but you don’t know who’s coming.”

Toronto’s best dining under the sun

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Creativity the key to the success of George

George’s secluded patio seats 60 people, and the full menu is available outside.
If one were looking for an intensely romantic restaurant for a date with a foodie, George is it. The place looks like a dream world, thanks to silvery brick walls, crystal chandeliers and sconces, and fabulously floral wrought-iron grace notes. In summertime the patio is an outdoor urban delight. And chef Lorenzo Loseto matches the grace of the dining room with food that often feels like art in the mouth. Few Toronto chefs are as creative as Loseto, his every plate a complex creation. Because his opus is market-driven, the menu changes often. But expect the likes of lobster rolls with lentils and curried mascarpone, black cod with egg yolk cannoli and fresh artichoke, pork belly with Meyer lemon and smoked clams, and beef tenderloin with pumpkin perogies and chestnut caponata.
George is located at 111C Queen St. E., 416-863-6006.

Financial district’s little place in the sun

Bymark’s patio seats 50 people, and the full menu is served.
Masters of the universe frequent the impeccable Bymark restaurant for its unfussy luxe, the service that says that you really matter and a menu based on the best ingredients flown in from the four corners of the globe. Bymark is also where the thousand-dollar suits go to kick back after work, for the bar is an elegance of stone and wood. After a few $12.50 to $14 cocktails, they own the world, and a $35 Bymark burger in the bar goes down like a bear market on the run. Eight ounces of US prime garnished with ultra crisp onion rings and unimpeachable French brie, it makes those 80-hour work weeks feel worth it. As does the ridiculously delicious $27 grilled cheese sandwich with lobster, pancetta and more of that upmarket French brie. But the most fun at the Bymark bar (other than pretending you’re richer than you think) is the $27 poutine — perfect fries with juicy sweet butter–braised lobster and fabulous bearnaise sauce strong with tarragon scent.
Bymark is located at 66 Wellington St. W., 416-777-1144.

New York style arrives in Toronto

Scarpetta has two patios, seating 80 people. Full menu is available outside.
Toronto would love to hate Scarpetta because who wants to like a resto brought to us by a globe-trotting New York chef for whom we’re just an extension of his brand, a little frisson of franchising? But dinner at Scarpetta is a deluxe delight, deeply layered complex Italian cooking in a glamorous room with fine and formal service. Nowhere in this town do we find polenta as smooth as here; how cosseted does one feel when the waiter spoons our fragrant truffled mushroom stew onto the silken polenta? The short ribs are more moist, more high-flavoured, more elegant than such a homespun cut of meat has a right to be. Even the simplest of Italiana — tomato basil spaghetti — has deeper flavor than one imagined possible. There are superb complex constructions like sablefish with roasted cherry tomatoes and lightly caramelized fennel, and duck breast with Sicilian spices and preserved orange. Small wonder the Thompson Hotel copped the wunderkind of New York Italiana.
Scarpetta is located at 55 Wellington St. W., 416-601-3590.

One of the most original restaurants in town

Origin’s patio seats 60, and includes an outdoor bar. Full menu available.
Superchef Claudio Aprile of Colborne Lane and molecular gastronomy fame opened Origin in March 2010 to instant hyper-popularity. In the hot months foodies love the big patio on Church Street, and when it’s cold, the best show in town is the 120-year-old reclaimed wooden counter around the open kitchen where five cooks create yummy small plates at warp speed. Loud music, artsy chandeliers and a graceful restoration of one of the oldest buildings in Toronto make Origin a fun destination. Best eating is miso-glazed black cod in mushroom broth, sweetly fresh bufala mozzarella on grilled Calabrese bread with poached pear, rosemary oil, toasted pine nuts and fragrant honey, and every dessert. Caveat emptor: They turn the tables as fast as they cook.
Origin is located at 107 King St. E., 416-603-8009.

Charming throwback continues to impress

La Palette’s mini patio seats just four people. Full menu is served.
In a world where rustic Italiana rules, and the likes of French onion soup and coq au vin are from when dinosaurs walked the earth, La Palette is a charming throwback. Yes, you can still make us happy with great lashings of butterfat — in unctuous sauce on pasta, in the compound butter on the steak with sweet frites. There are the expectable bistro stalwarts of confit and pate, foie gras and escargots. It’s unclear how slow-cooked venison ribs in perfectly judged BBQ sauce are French, but they taste great. The room is classic inexpensive bistro all the way, from the Provencal print tablecloths to the paper napkins.
La Palette is located at 492 Queen St. W., 416-603-4900.

The epicentre of cool Queen West

The Drake’s Sky Yard patio seats 125 people. Full menu available.
When I grow up, I wannabe cool. Until then I settle for the occasional foray to Toronto’s epicentre of cool, the Drake Hotel, where skinny 30-somethings in lots of black perennially pack the dark downstairs bar and the rooftop bar in warm weather. On a good day, eating in the dining room helps you get past the bar gatekeepers. The Drake distinguishes itself from other resto/bars by serving credible bistro food — with good strong flavours: Burgers, some sushi, steak frites, ribs, mac ’n’ cheese, brisket.
Drake Hotel is located at 1150 Queen St. W., 416-531-5042.