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Vintage fur: fashion statement or moral dilemma?

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In many young urban circles, wearing fur is just not cool, ethically speaking. But the Vintage Glam Fur lifestye and fashion event wants to address the ethics of fur while showcasing affordable fur options.

Shauna Ireland, a communications specialist for the event — to be held at the Crown Lounge this Thursday — says that, actually, fur is an environmentally-friendly fashion statement.

“It’s a renewable resource,” she tells us.

But will run-of-the-mill young Torontonians with average budgets and typical ethics start wearing it? Ireland hopes so. It’s what Thursday’s event is all about.

 “The whole idea is to bring the activist crowd and the fashionistas together,” Ireland says.

The evening will be one of glam mingling, dancing and vintage fur shopping. Crown Lounge will be specially decorated for the event.

There will be a small pop-up at the back of the venue selling furs that have been stored in the warehouse at Herman-Sellers-Gough Furs, a Hazelton Lanes establishment, for years. For entertainment, models will interact “theatrically” with those in attendance.

But beyond the vintage furs collection, Ireland encourages anyone with old fur lying around the house to bring it in for ideas on what to do with it.

“Old furs can be re-styled and re-worked,” she says.

HSG Furs will also be selling re-styled fur accessories, such as scarves made from old coats (in the $150 price range). The full fur pieces run from $150 to $1000.

Anyone who misses Thursday night can attend a two-day long sale this weekend at Six20Seven.

Makes us wish we hadn’t given grandma’s old mink to the Goodwill.

Glam Vintage Fur Event and Vintage Fur Sale, Crown Lounge, Feb. 9.

Toronto’s best vintage clothing stores: part two

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With at least 50 vintage boutiques in downtown Toronto alone, staying power is key. Ushering in the second half of our top vintage shops is Cabaret. A favoured Queen West haunt for years, its timeless appeal has managed to withstand neighbourhood changes aplenty, and is beloved by both locals and visitors alike. 

Cabaret

This Queen West boutique houses such labels as Ceil Chapman and Fred Perlberg, and has drawn big names like Björk, Leslie Feist and the Outkast boys through its doors. Owner Tao Drayton specializes in cocktail dresses from the ‘20s to the ‘70s for the ladies; modern flâneurs can pick from a tight selection of menswear upstairs, or head down to the basement to seek out goods at Kingpin’s Hideaway.

The inviting space features pale yellow walls, a black and white checkered floor, and a couch upon which tired shoppers may rest and take in the gowns that adorn the walls. A pink satin frock features lace and bead detailing and comes with a removable skirt, giving the wearer two different looks ($625), while a Christian Dior silk taffeta dress from the ‘50s features a muted floral pattern in a medley of greens ($595). We adored a floor-length strapless number spun from taffeta tartan, a refreshing alternative for a bride looking for something (quite) different ($995). 

Meanwhile, for men, a deep blue sharkskin mod suit ($225) would pair handsomely with a Liberty London bowtie ($95).
672 Queen St. W., 416-504-7126


Magwood

Having opened her retail shop just last year, Sarah Magwood is a noteworthy addition to the city’s vintage scene. A young entrepreneur, Magwood got her start through The Drake Hotel’s Make Sale, a 2009 event that lasted six months. As the programmer, Magwood corralled local artists and designers to peddle their wares; soon, she began showcasing her millinery work (she’s self-taught) alongside vintage finds (which she’d been collecting for years). Following Make Sale, Magwood began an online presence through Etsy, which led to the boutique.

Sourcing most of her goods from private collections and estate sales around Toronto, Magwood has also snapped up pieces in New Brunswick and New York. In terms of her personal style, Magwood is drawn to ‘70s Armani and ‘80s Versace pieces, though she notes that the ‘40s-‘60s are her strong suit in retail. A silk sheer dress from the ‘20s, with a drop waist and red glass beading, is an impressive find in her current collection ($450); the most memorable piece Magwood has ever owned was a black Chantilly lace Edwardian dress. “I’d never seen lacework that delicate before,” she notes. We also fell for a Gianni Versace wool and leather blazer, with gold medallions at the cuff ($395), and a playful plum jacket with a cityscape sprouting skywards from the hem ($65).
1418 Dundas St. W., 416-818-3975


House of Vintage

Located in vivacious Parkdale, this spacious store is owned by Dennis Adamidis who’s been in the biz for nearly 20 years. In 2010 the shop branched out — to London, nonetheless — with Adamidis noting that more often than not, their wilder pieces are sent overseas, with the Brits currently snapping up Mad Men-style garb by the handfuls.

In the men’s department, Adamidis’s strengths lie in ‘40s military wear, in addition to peacoats and field jackets. For the missus, staples include dresses from the ‘50s and ‘60s, as well as Coach and Dooney & Bourke bags (from $55). The store tends to carry lots of Pendleton and Frye pieces — anything, really, that had has a recent revival, manager Sofia Shiner says.

Some of our favourite pieces include a ‘70s floor-length velvet skirt, starring pink, red and honey brown stripes ($70), and a multicoloured tapestry coat ($195). We loved a men’s ethnic vest in a grey knit with an embroidered pattern in a throng of colours ($195). House of Vintage is also known for sukajan jackets, made in Asia from parachute silk for ‘50s American air squadrons; a tiny one hangs above the cash. “That’s for when Dennis has a kid!” Shiner laughs, noting that it’s not actually for sale.
1239 Queen St. W., 416-535-2142


I Miss You

This elegant Ossington store is the work of Julie Yoo. The front room is devoted to contemporary designer pieces—including Gucci, Chanel, and Sonia Rykiel — while the true vintage pieces are displayed in the back. Plenty of accessories are to be found, with the wide array of purses and clutches a good bet.

Standout pieces include an aubergine silk velvet opera coat featuring embroidered gold leaves ($495), and a number of Pucci finds (we liked a long skirt in a darker palette). A Chanel navy schoolgirl’s dress — with black ribbon at the neck — is certain to make anyone the talk of the party ($500). We were also drawn to an ivory silk gown starring a watercolour flower print at the hem; a chic find for summer, it’s the perfect antidote to too much skin ($150).
63 Ossington Ave., 416-916-7021

Toronto is getting more Neapolitan pizza (again)

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These days, if there’s one thing Toronto loves almost as much as burgers, it’s Neapolitan pizza. And Toronto is about to get a lot more of it. Pizza e Pazzi is set to open a second location on St. Clair West as early as this month, and now Alberta franchise Famoso is set to open two restaurants in Toronto this year.

According to Famoso’s website, one location is coming to Yorkdale mall, while another is currently under construction on Bloor Street, at the site of the former James Joyce Irish Pub.

Apparently, Famoso adheres to the standards set by the Associazione Vera Pizza Napoletana, which — for those who somehow aren’t familiar with the rubric yet — include flour and tomatoes imported from Italy, fior de latte and flash-baking in a wood-fired oven. 

The Bloor Street location is set to open this spring, while the Yorkdale location is gunning for the summer.

Trending in Theatre This Week: In the Heights, Hughie, The Second City Spring 2012 Mainstage Revue, Divisadero, Rhubarb Festival

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In the Heights

The 2008 Tony winner for best musical, set in a Hispanic community in New York City’s Washington Heights ‘hood, is like the West Side Story of our time, complete with all the angsty forbidden love and sexy dance numbers one can stand.
Toronto Centre for the Arts, 5040 Yonge Street, 416-644-3665. Feb. 719.


Hughie

If you love windbag hustlers, then you’ll love this 1942 Eugene O’Neill play about a small-town hustler who talks the ear off of a hotel night clerk in 1928 New York City.
The Theatre Centre, 1087 Queen Street W., 416-538-0988. Feb. 8 – March 3.


The Second City Spring 2012 Mainstage Revue

In anticipation of its new maintstage show (that’s set to premiere March 6) the folks at The Second City present hilarious new sketches, mixed with some old ones from their last revue, Dreams Really Do Come True! (and other lies).
The Second City, 51 Mercer Street, 416-343-0011. Feb. 7–12.


Divisadero: a Performance

Due to popular demand, Michael Ondaatje’s first full-length play, based on his book by the same name, is back with a new look and some new songs.
Theatre Passe Muraille, 16 Ryerson Avenue, 416-504-7529. Feb. 10–26.


Rhubarb Festival

The 33rd edition of the experimental and provocative festival showcases a variety of contemporary theatre, performance art, dance and music.
Buddies in Bad Times Theatre, 12 Alexander Street, 416-474-8555. Feb. 8–19.

Toronto’s best vintage clothing stores: part one

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The Internet has been all abuzz with Toronto’s vintage scene as of late. Fashion folks from abroad have been stopping by and gushing over our boutiques, allowing the world at large to finally sit up and take note (though fashion insiders were already in the know). With new vintage shops popping up regularly, we decided to round up the city’s most notable vintage emporiums.

Gadabout

Walking into this east end shop may at first be a bit overwhelming to some: trinkets and tchotchkes are perched on every surface; clothes hug one another tightly on racks; jewellery twinkles and beckons from behind glass cases; books are squeezed haphazardly onto shelves. Gadabout has it all — and if it doesn’t, owner Victoria Dinnick will find it for you.

Carrying garments from the late 1800s to the 1970s, the collection of goods takes over two storeys. A men’s section is housed in an upstairs nook, while — due to their extremely delicate nature — most of the Edwardian and Victorian pieces are kept offsite. Garments are arranged by size, easing the search process.

During our visit, we took note of a walking coat from the 1800s, and were informed that in its time, it would have been paired with a long skirt and a jaunty hat ($975). Other gems include a pair of shoes — from the ‘20s or ‘30s — handmade at an old store on Yonge Street ($180), and a chartreuse chinchilla stole from the ‘60s. The previous owner’s initials are embroidered on the inside, ensuring that, back in the day, she’d have been able to retrieve it after checking it in at a nightclub ($350).
1300 Queen St. E., 416-463-1254


Divine Decadence

Tucked away on the second story of a Yorkville building, Carmelita Blondet’s vintage boutique brings a Parisian boudoir to mind, despite its fairly expansive size. Colour-coordinated racks are filled with endless eveningwear options, while mannequins appear to be readying themselves for the most glamorous of galas; the experience is akin to stepping into the past.

In business since 1972, the effervescent Blondet is a true vintage collector. Sourcing from around the world and eagerly sharing the history of each piece, she never fails to point out details (such as Bakelite buttons) that may otherwise go unnoticed. In the back room, Blondet showed us a ‘60s silk couture dress from the original Ritché Bridal collection ($3,000); up front we admired a ‘50s hand-beaded hunter green velvet jacket from the Andes, in Blondet’s native Peru ($1,400).

A baby blue coat from the much sought-after Elsa Schiaparelli has a mink fur collar ($899), while a canary yellow wool jacket – featuring gold and black buttons – hails from Allumette in Paris, though it certainly has a Versace feel to it ($899). Meanwhile, the belle of the ball will likely be drawn to a silk taffeta gown from 1940s France; decorated with beads, sequins and crystals — in addition to having a lace-up back –—it is utterly breathtaking ($3,000).
128 Cumberland St., Upper Level, 416-324-9759


Flashback Vintage

Kensington Market is Toronto’s original vintage destination, with tons of shops dotting the narrow streets hawking affordable vintage gear. However, Roger D’Souza truly is the King of Kensington. In business since 1997, D’Souza owns — and does all the buying for — three shops in the neighbourhood: Flashback, Flashback II and, of course, King of Kensington.

While Flashback is filled with the most affordable goods and King is dedicated to menswear, we headed to Flashback II to seek out some of the higher-end pieces for both ladies and gents. We were shown a delicate cream lace dress from the ‘20s ($500), as well as an amazing Victorian feathered hat that circles the head, fanning out into a starburst shape ($70). Covetable accessories include some on-trend Lucite purses — we liked a pearlescent one with a gold latch and chain ($100)—in addition to some flower-shaped porcelain earrings from the ‘60s ($15).

Both men and women can snatch up some Hudson’s Bay Company coats starring the instantly recognizable stripes ($130), while brown suede bombers from the ‘40s make for a nice reprieve from plaid ($65). Gents can also snag some smart accessories: ties ($15), Western-style leather belts ($25) and a pair of amber cufflinks ($45). Footwear is also available: we admired some Victorian white lace-up boots for women and a black buttoned pair for men ($125).
33 Kensington Ave., 416-598-2981


69 Vintage

After working at Kensington’s Flashback Vintage for years, Kealan Sullivan decided to branch out on her own, bravely setting up shop on West Queen West, pre-gentrification. Nine years later, 69 Vintage is one of three stores she owns, with 69 Vintage Collective/Buy The Pound hiding out in Blansdowne, while Sullivan’s more fantastical foray — V by 69 Vintage — sits around the corner from Trinity Bellwoods.

The original store is filled with the most wearable finds, with picks for both ladies and gents, and a solid shoe selection. Cowboy boots, plaid shirts and jeans are a given for the guys; girls can nab plenty of stuff with a tinge of the west — Sullivan has a bit of a soft spot for what she dubs ‘pioneer style’.

A pair of brown leather shorts ($50), a black skirt starring brightly coloured flowers (that could easily morph into a shawl) ($60), and a leather vest boasting a handsome fringe ($70) all caught our eye. We were charmed by a lightweight jacket from Mexico spotlighting a dancing duo on the back ($60). In the men’s corner we discovered a  wool sweater complete with contrasting leather pockets ($250), and a pair of lumberjack pants — only for the man who’s not afraid of making a sartorial statement ($65).
110 Queen St. W. 416-516-0669

Meet a Comedy Troupe: The National Theatre of the World

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In just four years, The National Theatre of the World has proven itself to be one of Toronto’s top groups of funny makers. Combining theatre with comedy and music, the multi-talented company produces four popular improvised shows (Impromptu SplendorThe Carnegie Hall ShowThe Soaps, and The Script Tease Project) in hopes of bridging the gap between theatre and improv.

We chatted with co-founder Naomi Snieckus about the troupe’s start, what’s next for them and what it was like working with Martin Short.

Established:
2008

Cast:
Ronald Pederson, Naomi Snieckus, Matt Baram, Chris Gibbs, Christy Bruce, Scott Christian and Naomi Wright are known as The Core. Other cast members include: Jim Annan, Lisa Brooke, Jan Caruana, Sandy Jobin Bevans and Lisa Merchant.

Influences:
Anyone who’s an interesting theatre artist. We get inspired all the time by comedians in the community. Colin Mochrie is one, for sure. He’s come to perform with us before. He’s a great improviser, but a great actor too. The Kids in the Hall. Crumbs. They’re awesome; they’re great and patient improvisers. Improvised Shakespeare. They’re amazing, they blow my mind.

How did your troupe come about?
Matt [Baram] and I were at The Second City together and Ron Pederson was kicking around and Matt said to me: “We should work with this guy.” Then Comedy Bar opened up and they needed shows to fill the space and Gary Rideout Jr. said we could do some shows. Ron and I have a background in theatre; acting came first, before improv, and we wanted to add a quality to the acting of the show. We wanted to do something out of the ordinary. We wanted to do acting and improv and we liked the chemistry that we had together.

How would you describe your style?
Our mandate is to connect theatre with improv. It’s important for us to do professional improv. We call it theatre-based improv.

What’s the hardest thing about doing a show like yours?
One of the trickiest things is the division of producing, creating and performing. As the producer, you have one brain and as a performer, you have another brain. I’m getting better at that now. That’s the most challenging thing. The shows themselves are awesome and fun.

Biggest Achievement to Date:
Every time we get to produce a show. Any time you’re self-producing a show, it’s a huge achievement. We’re doing a show in New York at the Barrow Street Theatre, so that’s a huge thing. I guess you could say the biggest achievement is the community recognition and involvement we get.

The Soaps was at last year’s Fringe. How was that experience?
It was a huge success. They had huge crowds. It was really fun. It’s fun to have a run like that because you get a rhythm going. And we had special guests come in, too. The Fringe has been really good to us over the years.

Will you be returning this year to the Fringe? We’re taking the summer off. Since we’ve started, the past three summers have been crazy busy. We did three festivals each summer. So now we’re doing individual projects, in addition to The National Theatre of the World, so we’ve got a lot going on.

Speaking of individual projects, you’re also co-starring on the CBC show Mr. D. How do you balance those gigs with The National Theatre of the World?
We filmed that in the summer, so I missed The Soaps and the Fringe. But the great thing about our company and improv is that we can change it around, we can do two-handers [instead of three] and we have an amazing cast roster. We also have special guests coming in to help out. Paying gigs come first, but we can accommodate each other.

What’s next on the horizon for the troupe?
Impromptu Splendor will be playing on Feb. 26 in the style of Charles Dickens for his birthday, and members of the amazing award-winning sketch group Falcon Powder will be joining us. Then in March, we’re headed to Amsterdam and Berlin. Also in March, every Friday, we’re doing Carnegie Hall at The Second City as the late night show. I think Scott Thompson and Ron Sexsmith might be our guests, but I can’t confirm it yet. Then Script Tease at Theatre Passe Muraille. Last year, Mark McKinney and Woody Harrelson wrote us pages, so we’re looking to get some cool playwrights for this year.

You can be seen on Martin Short’s upcoming CBC comedy special, I, Martin Short, Goes Home. How was that experience?
He’s so sweet. It’s one of those ‘pinch me’ moments, and he is one of our heroes. It’s an incredible to be apart of it. It’s really funny. It’s Martin Short at his best and his most surprising. It’s so fast, it’s so funny. He’s an inspiration to us for sure. He’s incredible and the guy’s 61 years old.

Upcoming shows:

Impromptu Splendor, Theatre Passe Muraille, Feb. 26 @ 9 p.m.

The Soaps, Comedy Bar, Every Thursday @ 8 p.m.

Go Roncy: Geoff Hopgood opens a west-end Nova Scotia-themed restaurant

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Geoff Hopgood (of Hoof Café fame) had been hinting for some time that he’d like to open his own restaurant, and he finally did it this week, the Globe reports. Getting in on Roncy’s fast-rising restaurant boom is Hopgood’s Foodliner, a 50-seat Maritime-inspired venue named after the chain of grocery stores once ran by Hopgood’s father’s family.

“I want to play with older styles of food, stuff that’s reminiscent of when I would go out to eat with my grandparents or something like that, to a golf course, you know?” Hopgood told the Globe.

Not surprisingly, Hopgood is adhering to nose-to-tail with an in-house butcher shop. Carnivorous offerings could include pig’s trotters, house-made sausages, fried sweetbreads and donair. Also planned is a raw bar menu, which will eventually include spot prawns, scallops, crab legs and the like. And yes, brunch service is on the horizon.

With a slew of new restaurants like Barque Smokehouse, The Westerly and The Ace, Roncesvalles has been toeing the edge of becoming a full-fledged restaurant destination as of late, and Hopgood’s arrival will be a big help.

We weren’t able to immediately get in touch with Hopgood for comment or to confirm the new restaurant’s phone number (it will be accepting reservations), but we don’t blame him: he’s about to become a very busy man.

Hopgood's Foodliner, 325 Roncesvalles Ave.

[Globe and Mail]

Q&A with Chris Hardwick, nerd extraordinaire

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Chris Hardwick reviews gadgets, writes for Wired, runs a successful blog, acts and does stand-up. Oh, and he’s also a huge nerd. He’s like this generation’s Bill Nye the Science Guy, but cooler. We caught up with Hardwick, who’s performing stand-up for two nights over at Comedy Bar next week, to chat about comedy, Skyrim and the revenge of the nerds.

You have an eclectic career: television host, stand-up comedian, gadget reviewer, podcaster, blogger, tweeter. Was the plan to wear all those hats?
I think the plan was to do as many things as I like doing. I sort of realized that everything I was doing was a part-time thing. Working for G4 was part time, writing for Wired was part-time, comedy was part-time and I thought I could probably do a full-time career doing 10 part-time jobs. And I was involved with things that I liked doing and cared about. I’ve been working in the business for a long time and when I first started out, I just wanted to work. You never consider, ‘is this what I really care about?’ So I decided to work on things that I really care about.

You’re obviously a busy guy. I hear your book, The Nerdist Way, discusses tips on time management. How do you keep your life organized?
It’s all about keeping a tight calendar. Planning for stuff. I have to schedule time to just screw around so I allow myself time to do that. My iCal has eight different calendars that are coded with eight different colours.

So what gadget, social app, etc., makes your life easier?
The iPhone makes everything easier for me. My to-do list is on there, my emails. Technology has made everything so easy to be organized. I mean, 15 years ago, you had to carry around those heavy, leather-bound organizers with papers falling out of them.

I still have one of those.
You do? Well, it’s all about whatever works for you.

So have you always been a nerd?
Yes. I got my first computer in 1981 and I was in the chess club and in a Dungeons and Dragons club. Everything I was in could be classified as a nerdy pursuit.

How did the Nerdist come about?
I was a part of the blog explosion. I had a blog in the early 2000s and back then, everyone had those fancy, graphic-filled ones. And then in the mid-2000s people realized those fancy blogs were too hard to load and blogs were stripped down to a clean format. I had a personal blog like most performers. But I didn’t really write anything on it. I thought it was too narcissistic for even a comedian. “I went to a coffee house and had a latte today” — who really gives a shit? I thought there was something happening in our culture with the Internet and those niche cables like G4 and magazines like Wired. I realized nerd culture had become pop culture in a way it hadn’t been seven years previously. So I began thinking about a website that was bigger than me and would talk about things that I really cared about, like movies, games, technology. Nerdist was the first thing I thought of, and shockingly, the domain was available. I got the Twitter account for it and I said, ‘I’ll focus on this idea and see what happens.’ I wrote the site alone for a year and half. Then I had to start bringing people in because I started getting busy. Then contributors came in, editors, and then pod casts started tying things together. It built very organically.

Basically, it’s now cool to be a nerd. Why do you think the stigma changed?
It changed because technology rules our culture and technology is made by nerds. Nerds are billionaires, and when there’s money there’s power. It’s capitalism, unfortunately, and that’s what it is. It wasn’t that way in the ‘80s, when I was growing up. The craziest redneck has a cell phone or a laptop. All of the things nerds make basically support our modern day culture. Part of it, too, is when you see any kind of group get stepped on when they’re young, they always try to reclaim it when they’re older and I think that’s what the nerds did.

What are you geeking out on right now?
I’ve been playing Skyrim. I’ve been playing Skyrim a lot. Any shred of free time goes to playing that.

You’re performing at Comedy Bar for two nights. Have you ever performed in Toronto before?
I performed a couple of years ago as part of Just for Laughs. I did the week in Toronto before going to Montreal. And to be honest with you, Toronto was the coolest part of the experience. I think Toronto’s sense of humour skews closer to American humour than Montreal. They’re more European. Toronto was just so much fun.

What do you like about the city?
It’s like New York City but well planned. It’s simple, clean, people are nice, you have good hot dog stands, you have a clean underground transportation system. I think Toronto is a perfect city.

It’s close to Valentine’s Day. So do you have any advice from your “Singled Outdays for those without a Valentine?
Listen, Valentine’s Day is a nice idea in theory, but I think it makes people who don’t have the perfect romantic night feel bad about themselves. I totally support people who decide to get a gallon of ice cream and watch shitty movies on Valentine’s Day. It’s a day is to celebrate wherever you’re at that that day. If you’re single, be happy. If you’re in a relationship, be happy. Oh, and masturbate a lot.

Chris Hardwick, Comedy Bar, Feb. 10-11

Fashion, art and film unite at Afrotropolis Wanderland

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If your weekend plans are looking a bit drab, don’t fret. There’s still time to grab a ticket for tomorrow night’s Afrotropolis Wanderland at 99 Sudbury Gallery, an event that aims to stimulate your cultural senses through fashion, film and art, all in celebration of Black History Month.

Founded by Toronto-based designer Chinedu Ukabam, who is of Nigerian decent, the show has returned for its second year as a collaborative project, featuring the works of visual artists Jimmy Chiale and Kalkidan Assefa, film director Marcos Fantu and designs from Ukabam’s clothing line, Chinedesign.

The event will feature a runway show, a screening of a film co-directed by Ukabam as well as displayed artworks. In an adjacent space, Ukabam’s SUPAFRIK pop-up shop will open for three hours, with scarves from Ethiopia, items from London’s Eki Orleans and the opportunity to book pre-orders for pieces hot off the night’s runway.

“We just wanted to extend that runway experience a bit longer without making it monotonous,” Ukabam explains. “I tried to create the type of immersive fashion show that I would like to attend.”

Afrotropolis Wanderland, 99 Sudbury Gallery, Feb. 4

P.F. Chang’s is about to bring Toronto exactly what it needs: Americanized Chinese food, chain-style

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For the uninitiated, P.F. Chang’s is a Chinese “bistro” that has over 200 locations worldwide. Often recognizable from the giant horse statues outside of its entrances, its popularity is such that it has made appearances on South Park. It’s big, and it’s coming to Toronto.

The business announced last year that it would be expanding to Canada, then revealed on Twitter last month that its first Toronto location would be opening in 2012. We weren’t able to immediately confirm exactly when or where the first location would open up.

A quick perusal of the menu reveals pretty standard Asian options: lo mein, mandarin chicken, beef with broccoli and the like. Interestingly, there is also a sizeable gluten free section. But, having never tried the place before, we decided to do the obvious and check Chowhound before judging.

Says sweettoothMTL:

“It was good, it did the job for us. Nothing transcendent, you’ll probably be able to find better, but it was a good meal.”

And caitlink:

“With all the choices we have here in Toronto, can’t imagine why anyone would want to eat at PF Changs. It’s not cheap. One would be better off going to Mandarin.”

Mandarin? We have to admit that was the furthest thing from our minds.


UPDATE: the P.F. Chang’s Toronto location will open in the Shops at Don Mills later this summer.

Weekend Warrior: righteous rhythms, beer bashes, derby divas, activists’ antics and more on our weekend to-do

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1. Turn up the TorQ

For those of us who will only be tuning in to the Super Bowl for Madonna’s half-time performance, how about jams with a bit more verve? U of T’s New Music Festival (which also premiered Rob Ford: The Opera) comes to an end this Sunday with a performance by the TorQ Percussion Quartet at Walter Hall. Preview the set here, including three tracks inspired by the saga of a washing machine. Did we mention it’s free?

2. Hops and Robbers

Craft brewmasters at Double Trouble Brewing are launching their latest creation: Hops and Robbers. If the cutesy name isn’t enough to warrant a visit to the release party at the Burger Bar on Saturday night, founders promise their newest creation is “extra delicious craft beer.” Get your buzz on to support independent brewmasters. Email [email protected] to get on the guest list.

3. Drummond tells all

Calling all journo nerds! Dwight Drummond, news anchor with CBC Toronto, relates his journey from humble beginnings in Montego Bay to success at CBC. Not surprisingly, the Black History Month event is sold out, but we have a feeling that if you stop by Fairview Mall tomorrow morning, you might run into the famed newsie shopping after the lecture.

4. Economic shenanigans

Setting police cars ablaze? Check. Breaking storefront windows of banks and corporate buildings? Check. Taking down “the man?” That one remains to be seen. Get more insight from the ground of 2010’s G20 conference at the free screening of Tales from the G20, a documentary with street level footage of the riotous event that shook up Toronto.

5. Derby divas

This Saturday night, Chicks Ahoy! goes head-to-head with Gore-Gore Rollergirls for derby supremacy at the Toronto Roller Derby season opener. Also at Downsview Park’s bunker will be the Deadly Viper Assasination Squad (DVAS), showcasing some new talent. Bleacher seating is available, but we suggest bringing a blanket and pillow to watch from the floor’s suicide seating section. ‘Nuff said.

Top chef ready to go it alone

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As the old saying goes, coming in second is sometimes a blessing — just ask chef Rob Rossi.

The runner-up in the Food Network’s first Top Chef Canada reality show hit the ground running after the finale, to pursue his goal of opening his own restaurant, and he hasn’t looked back. Rossi, 28, is soon to open Bestellen (German for “to order”), modelled after an old-school European tavern. “It’s going to be loud and lively,” Rossi says.

The handsome chef wowed judges on Top Chef Canada with his subtle yet masterful style of cooking and became known for his candid and confident nature on the show. He wasn’t showy, but he was the strong, steady competitor who didn’t get flustered in a challenge. Asked about his plans, during his Top Chef exit interview when he left the show, Rossi said, simply, that he wanted a place of his own.

Bestellen, Rossi says, will open soon. A private Visa dinner was held on Jan. 25 — a sure sign of an imminent opening.

Located on College Street between Ossington and Dufferin, Rossi says the 90-seat space features a large bar. The menu will include “lots of meat, lots of beer on tap and very country-style food.”

All of the bread will be baked on site, the beef will be dry-aged in-house, and Rossi will make his own salami.

“It’s like our own charcuterie,” Rossi says. “The food will be simple, but a lot of work goes into it.” One standout feature will be whole roasted suckling pigs.

Meat is such a focus to his concept that Rossi has designed the restaurant around a dry-aging room that will act as a focal point, allowing diners to look in on hanging meats through a window by the bar.

While talking to Rossi, it becomes obvious this is the kind of place he would like to frequent.

“I always wanted a fun place, a cool place to go where you can get a thick rib-eye and share it,” he says. “Or have a lot of small seasonal plates — so you can share three or four plates and it’s very non-traditional.”

Deciding on the style of his venue, Rossi says he knew first what he didn’t want his restaurant to be. “I didn’t want a restaurant where you choose an appetizer, a main and a dessert,” he says. “I want diners to be able to say, ‘I’ll try the octopus or the pasta or the charcuterie board.’ ”

Everything he serves up at his restaurant, Rossi says, will have been made there. “If I can’t make it, then I’m not putting it on the menu,” he says. “Which is why I won’t have prosciutto on the menu.”

Reading through Rossi’s Twitter feed, it becomes obvious cooking is not only a career for him: it’s his obsession. Born in Toronto, he grew up in Mississauga with his parents and two sisters. They relocated to Barrie, where Rossi went to high school, but he often came in to Toronto on weekends to visit an uncle who owned several restaurants downtown.

“I’ve been in and out of restaurants since I was two years old,” Rossi says. “We used to drive into the city to see him [my uncle], and we’d hang out and watch him cook.”

The only other interest Rossi seems to be exuberant about is fly-fishing, something he relates to food.

“A lot of chefs seem to fish,” Rossi says. “Nature and cooking go together — you fish the fish, cook the fish, serve the fish.”

Throughout high school, Rossi made the most of his summer breaks and worked in the kitchens of hotels and resorts. His first job was as a cook at Horseshoe Valley, north of Barrie, and he later worked out west at a resort in the Canadian Rockies.

Back in Toronto, Rossi quickly found work at now-defunct Belgian eatery Café Brussel and then fine dining restaurant Canoe. Stints at the now-closed Queen West lounge Habitat and as the executive sous chef at Calgary’s upscale Kensington River Side Inn followed. His job before entering the Top Chef competition was as corporate chef at the Mercatto group of restaurants in Toronto.

Mercatto owner Dominic Scarangella had seen an ad for Top Chef and encouraged Rossi to apply. For his audition, Rossi cooked sable fish garnished with fiddlehead ferns and chanterelle mushrooms — ingredients he found at Kensington Market.

“This was back to the learning process,” Rossi says. “Dishes were pulled from memory — we didn’t have recipes or Internet or phone.”

Although he undoubtedly learned from his fellow competitors, it was clear that Rossi has the cooking chops to succeed in the hyper-competitive Toronto cooking scene. Rossi says he decided to open in Toronto because he thinks the competition here will keep him on his toes.

“Toronto is jam-packed with people, so you have to push yourself because you’re not the only chef around,” he says. “You have to push yourself to be good.”