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Tony Aspler’s Weekly Wine Pick: a Greek white that’s made from the fruit of 80-year-old vines

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Produced from the fruit of 80-year-old Assyrtiko vines, this wine is pale straw in colour. You can smell the volcanic soil in which the grapes were grown, giving it a minerally, smoky, melon nose; it’s medium-bodied with a crisply dry, crab apple flavour carried on lively acidity.

 

Gaia Thalassitis Assyrtiko, 2011, Santorini, Greece, $21.95. Vintages #315010

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards and has been inducted into the New York Media Wine Writers’ Hall of Fame. He can be heard on 680News.

Weekend Warrior: Toronto Japanese Film Festival, Taste of Little Italy, Roncy Rocks, Luminato

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It’s Thursday, and the weekend is fast approaching. Need stuff to see or do? We’ve got you covered. In this edition, Italian pride on College Street, a celebration of Roncesvalles, a Japanese film festival and more.

Toronto Wine and Spirit Festival

When: June 13-15
Where: Sugar Beach
Details: Is there a better way to spend your weekend other then sampling different wines, craft beers and spirits on a nice day down at the waterfront? Probably not. Throw in live music and a lake breeze and you’re ready for some summer fun.


Toronto Japanese Film Festival

When: June 13-28
Where: Japanese Canadian Cultural Centre
Details: Any Japanese film buffs in the house? This festival is screening some fine movies from Japanese cinema, including Rent-a-Cat, Helter Skelter, Rurouni Kenshin, Tokyo Family, Being Born, Reunion and The Life Of Budori Gusuko.


Taste of Little Italy

When: June 14-16
Where: College St. (between Bathurst and Shaw)
Details: College Street will be jammed full of Italian pride this weekend. A celebration of Italian culture, Taste of Little Italy will include samples from neighbourhood food vendors, music from Italian DJs, expanded patios and 27 performers to keep everyone entertained. Viva L’Italia!


Luminato Festival

When: Jun 14-23
Where: Various locations
Details: When it comes to the arts, Luminato does not discriminate. This festival will see events taking place all over the city, including music, theatre, dance, visual arts, literature and film. Can’t-miss events include Serena Ryder on Friday night, as well as a chance to pick the brains of the likes of Kid Koala, Buck 65 and reporters from The New York Times.


Roncy Rocks

When: June 15
Where: Roncesvalles Village
Details: Come out and show your support for Roncesvalles artists and musicians this weekend. There will an art sale, interactive workshops and stands set up along the sidewalk to peruse, along with some family activities, so there’s something for everyone at this annual festival. 

Theatre Review: Cats

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Whenever I mention to fellow theatre-lovers that Andrew Lloyd Webber’s Cats is one of my favourite musicals, I receive a chortle in response. Maybe it’s because when the musical first launched here 28 years ago, it was the only spectacle to see in town (“Whenever you went on a date, you went to Cats,” someone recently said to me, rather bitterly).

Or maybe it’s because the hatred between dog lovers and cat lovers runs pretty deep. Whatever the reason is, the response is surprising given that it’s the second-longest running show in Broadway history (although New Yorkers would probably roll their eyes and blame the tourists for that).

Admittedly, my love for the show relies heavily on romantic nostalgia. Cats was the very first musical I ever attended. I was five years old and I loved it so much that I saw it twice. I don’t know what captivated me most: the set, which is a moonlit junkyard that seemed so real to me, or the elegant movements of the cats, including the gyrating, Elvis-like Rum Tum Tugger, who pulled me onstage (I’m guessing it’s the latter).

However, after watching the new production 20-plus years later at the Panasonic Theatre, with years of theatre-going under my belt, I was still mesmerized.

The show itself is more a fanciful suite of music and eclectic dance (including ballet, modern, jazz and tap) than a traditional musical with a story. Based on T.S. Eliot’s book of poems, Old Possum’s Book of Practical Cats, and a few other choice works of his, there is scarcely a plot but rather a few dozen vignettes.

It’s a pretty simple scenario. But like a cat’s mood, Webber’s score — which easily goes from the frisky (“Mr. Mistoffelees”) to the wistful (“Memory”) — keeps the energy of the play moving with vigour, along with Gino Berti’s cat-like choreography, which has the cast slinking, preening and prowling with just the right amount of cat-titude.

Though the costumes and makeup seem dated to me (there’s something very ’80s David Bowie about them), the all-Canadian cast gives fresh and confident performances. There are a few standouts like Martin Samuel, who charmingly steals scenes with his cool cat performance as Rum Tum Tugger, and Devon Tullock is another favourite with his mischievous performance as the magician Mr. Mistoffelees. And of course Dionisio broke my heart with her powerful rendition of “Memory.”

Okay, I admit it: I am a cat lover. I loved cats before they were ubiquitous grumpy memes. Once I even participated in constructing a “cat wall” at my office comprised of kitty cutouts and photographs. But I assure those who are not so feline friendly that you will still enjoy this new production, so quit your snickering.

Cats, Panasonic Theatre, 651 Yonge St. Runs until July 28

First Draught: Stiegl Grapefruit Radler, a beer cocktail that’s actually good

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“Beer with fruit; German tradition; premixed beer cocktail; refreshing; juice beer; official drink of cyclists.” Such was the seesaw stream of thoughts that tormented me this week while preparing to write about the Stiegl Grapefruit Radler. This grapefruit version of the radler — a premixed beer cocktail — is currently available at the LCBO.

The made-for-TV version of the cocktail’s origin is that Franz Xaver Kugler, a Bavarian barkeep, found himself the victim of his own success when 13,000 cyclists showed up at his country pub outside of Munich one June Saturday in 1922. To deal with the overwhelming crowd, he cut his limited beer supply with lemon soda and claimed that it was a special cocktail, called Radlermass, that he had invented for the day (“radler” is German for cyclist, and “mass” is German for a litre of beer.) There are references to the cocktail, though, that date back at least 10 years before this.

Stiegl’s version combines Stiegl Goldbräu lager with natural grapefruit juice in a half-and-half split. This drink has a light, citrus-zest aroma, with a palate-refreshing carbonation, and the flavour is a well-balanced combination of sour-sweet grapefruit with mildly bitter lager. The pairing tastes natural, without any of the synthetic off-notes that tend to plague the current fad of citrus beers.

When summer eventually arrives, the Stiegl Radler will be one of the ideal antidotes for those 30-plus, humid, endless afternoons. It’s also only 2.5 per cent alcohol, so while I won’t recommend it as a (safe) pre-cycling beverage, it will work well as a post-excursion refreshment.

Cans are available at the LCBO, and many bars will have Stiegl Radler on tap, but I don’t know of any that are taking the traditional German approach to half-strength beer, which means serving it in a one-litre stein.

Stiegl Grapefruit Radler, $2.60 for a 500 mL can, LCBO #334052

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including Spotlight Toronto and his own site, Food With Legs. For more of his thoughts on food, beer and life in general, follow him on Twitter.

Just Desserts: six Toronto interpretations of panna cotta

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Summer’s almost here, and that means that heavy desserts are the last thing Torontonians crave to round off a meal. Sorbet may be the easy go-to choice, but panna cotta — the traditional Italian dessert — is perfect for sweltering summer days: it’s light, and it even has a JLo-worthy jiggle. Here are six Hogtown joints that are putting their own spin on panna cotta.

 

Quintessentially traditional from Queen Margherita

Made with milk, vanilla seeds and gelatin; served with a blueberry coulis. QMP proves that traditional is not synonymous with stale. The whisper of savoiardi crumble acts as culinary allusion to a deconstructed blueberry cheesecake, but one that’s just light enough for summer.
$7. Queen Margherita Pizza, 785 Annette St., 647-345-4466

 

Mercatto’s spicy panna cotta

Although this panna cotta might be plated like it came fresh out of nonna’s kitchen, the twists are in the details. The shard of house-made cayenne candy is a perfect complement to the cooling vanilla seed-specked cream.
$7. Mercatto, 101 College St., 416-595-5625

 

Ortolan’s sweet and sour

Chefs Daniel Usher and Damon Clements have looked to lavender, rather than vanilla, to flavour their panna cotta. Ortolan uses Prince Edward County lavender, which becomes an echo of a flavour when juxtaposed against the pucker-inducing rhubarb compote. The result: an addictive adult version of a sour candy.
$7. Ortolan, 1211 Bloor St. W., 647-348-4500

 

Take-home panna cotta from Stasis

Julian Katz simmers dried Prince Edward County lavender in honey-sweetened Harmony Organic cream with gelatin. The mixture infuses for a few hours before being strained, poured into mason jars and sent to bed in the fridge for the night. The lavender results in a heady floral taste.
$5. Stasis Local Foods, 476 Roncesvalles Ave., 647-766-5267

 

Keriwa Cafe’s Canadian twist

Aaron Joseph Bear Robe’s bosc pear and roasted citrus panna cotta is served on a plate painted with sea buckthorn curd. Jujubes of pear-and-sparkling-wine jelly and a sprinkling of puffed wild rice finish the dish.
$10. Keriwa Cafe, 1690 Queen St. W., 416-533-2552

 

Buca’s this ain’t your nonna’s panna cotta (pictured above)

Orbs of buffalo mozzarella panna cotta sit on a bed of star anise-and-cinnamon infused strawberry jelly. Chef Rob Gentile curates his plate by perfectly positioning grappa-soaked Ontario strawberries, Sicilian pistachio, micro basil and dollops of 13-year aged balsamic.
$14. Buca, 604 King St. W., 416-865-1600

Drink This: Buonanotte’s Malta

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In Montreal, Buonanotte has been a nightlife staple for over 20 years. A shining example of bacchanalian fun, the swanky Italian joint is the kind of place where, come a certain hour, tabletop dancing is seen as de rigueur. The Toronto chapter, which opened earlier this year, is slightly more demure, though it has been bringing in ready-to-party crowds since day one.

Behind the bar, Manny Contreras (Ame) mixes up a creative list of cocktails, keeping the ladies in mind when conjuring them up. This beverage, known as the Malta ($13), blends simple syrup with lime and Bacardi rum, which Vides has infused with fresh mint, raspberries, blueberries and blackberries. Sprigs of fresh fennel liven up the tall drink.

Contreras certainly knows what he’s doing — after all, he got his start bartending in Mexico at the ripe age of 12.

Buonanotte, 19 Mercer St., 416-599-7246

For more must-try Toronto cocktails, check out our Pinterest page

 

No tie required: Jeanne Beker’s guide to Father’s Day

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Jeanne Beker scours the city and finds eight Father’s Day gifts that even hard-to-please dads won’t return.

 

Haute Hawaiian
VILEBREQUIN SWIM TRUNKS FROM HARRY ROSEN, YORKDALE SHOPPING CENTRE, $255
“Whenever I go to France, I buy my man Vilebrequin. They’re like a status symbol — everyone is running around in them in St. Tropez. They have some fantastic prints, and this Hawaiian look is fabulous.”

 

Little bit of luxury 
SILK POCKET SQUARE FROM LE FIRME, 3-95 EAST BEAVER CREEK RD., RICHMOND HILL, $60
“This pocket square is so versatile. You can wear it with the royal blue side popping out, with the burgundy side or with the pale blue side — or you could arrange it in a way so that all the colours show at once.”

 

Smooth sailing
VITO SHORTS FROM GOTSTYLE, 21 TRINITY ST., $78
“If your dad is your anchor, you may want to tell him with this pair of funky shorts. The nautical theme is just so hot these days.” 

 

 

 

Peace, love & polos 

JOHN VARVATOS POLO FROM THE COOP INK, 3435 YONGE ST., $98

“This polo is especially nice because it’s a hot coral colour, which is so flattering on all skin tones. And it’s got a little embroidered peace sign, which is a nice spin on the classic alligator.”
 

 

 

Cool camouflage
KLAXON HOWL HAT FROM UNCLE OTIS, 26 BELLAIR ST., $85
“This bucket hat is perfect for fishing, wearing on the dock or even riding around a golf course. Itʼs got a great camouflage print, and you can encourage your dad to walk the wild side by showing off the leopard print on the underside.”

 

Watch hunger stop
WATCH FROM MICHAEL KORS, 131 BLOOR ST. W., $355
“A timepiece is always a welcome gift, and Michael Kors is doing this sporty watch in conjunction with United Nations World Food Programme to supply meals to hungry people around the world.” 

 

Mint condition 
CUFFLINKS FROM STUDIO1098, 1098 YONGE ST., $248
“These are really charming, a lasting, wonderful token of your love for Dad. They can be made with any coin and your dad’s year of birth or any significant year.” 

 

Mad for plaid 
BELT FROM BROOKS BROTHERS, BAYVIEW VILLAGE SHOPPING CENTRE, $55
“This is an elegant belt with a sporty kind of feel. It’s practical because it doesnʼt have any belt notches, so you donʼt have to guess at Dad’s size!” 
 

 

 

 

Park and open space shortage at Yonge and Eg?

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Few people know about the pressures on Toronto’s green spaces better than the residents of the Yonge-Eglinton neighbourhood. A pressure that has recently been increased as the hoarding goes up around the soon-to-be-built-over open space at Yonge Eglinton Centre — another loss for the community.

Ever since a zoning amendment was approved three years ago and plans for the crosstown LRT got the go-ahead, phrases like “transit hub,” “urban growth centre” and “density node” have begun edging out “wasteland” and “wind tunnel” as descriptions of choice for the intersection, an area already overburdened by too much glass and steel and not enough greenery.

The recent flood of applications to put up condo towers, with more on the way, has some residents nervously wondering how prominently parks and open spaces will figure in the rush towards the skies.

Robert Blake, president of the Oriole Park Association, which borders Yonge-Eglinton, says residents are already concerned about the lack of spaces.

“We do suffer in the area for public space. Yonge-Eglinton is a focal point in the north end of the city and it lacks a space for public use,” he says, adding that, if anything, the neighbourhood will need more green space as more people arrive.

Current bête noir for campaigners in the Yonge-Eglinton area is real-estate giant Rio Can, which is presently busy digging up a previously open space on the northwest corner of the intersection to build a three-storey glass extension to the shopping mall there. Supporters say the space was run down and ugly; opponents charge it could have been redeveloped as a green square or European café–style area.

David Harvey, director of pressure group Toronto Park People, also identifies Yonge and Eg as a spot in desperate need of something green.

“Neighbourhoods like Yonge-Eglinton, Yonge-Wellesley and areas south of Bloor, some areas around Queen West, they really do lack needed green spaces,” he says, pointing out that although some 13 per cent of Toronto is parkland, much of this is tied up in big chunks of space like Rouge Park and Toronto Islands.

Advocates like Toronto Park People often grumble that the city has a planning policy that is too reliant on reacting to proposals rather than setting out a vision and anticipating development. And, historically, the Yonge-Eglinton intersection has been a shining example of this type of institutional failure. Carved up between three council wards and two different planning areas, even getting all parties into the same room is challenging. That it lacks a BIA doesn’t help, either.

But recently, the first shoots have appeared in what could grow to be a sustained push to improve public spaces in the neighbourhood. Area councillors Karen Stintz and Josh Matlow have been busying themselves with efforts like a midtown planning group that straddles the ward boundaries, and the city recently asked for proposals from urban designers for a new vision for parks and the streetscape around the intersection.

Stinz says that the city’s master plan for the area doesn’t go much beyond a desire to keep the four corners open and something new is needed.

“As the development continues, we’ve recognized that we don’t have a good public realm plan,” she says. “So how do we create public realm, where would we put public art, as an example?”

One of the upsides to having construction firms circling Yonge and Eg is that the area has plenty of cash from Section 37 and other development bonuses sloshing around. New play equipment was recently installed in Oriole Park, a fair walk south of the intersection, and a review group has been set up to figure out how to spend $500,000 earmarked to revitalize Eglinton Park, just to the west. The playing fields were recently re-turfed and on the cards now are a better kids’ play area, an improved splash pad, new pathways and an upgraded community garden.

Another $400,000 will be spent to improve the streetscape on nearby Orchard View Boulevard and there are hopes the road may eventually be closed to traffic and given over as a public space.

“Two years ago, we closed for the summer Orchard View at Yonge, because it’s an offset intersection and because we had a farmers’ market that established itself there on Thursdays,” says Stintz. “We put planters up and we had tables and it was quite a benefit to the community.” The transportation department won’t countenance another road closure while so much construction is underway in the area, but Stintz says she “holds out hope” of figuring something out in the future.

A small park is also being proposed as part of a redevelopment on Duplex Street and a public square at the corner of Montgomery and Yonge, just to the north of the main intersection, is also being mooted. Further down the line, Josh Matlow is also pushing hard for a park or square to be included in plans for the unused TTC bus station on the southwest side of the main intersection. It’s slated to be used as a staging ground for LRT construction in coming years, but Matlow is calling for the city to include a green space that could be used for a famers’ market or just by lunching workers.

With a construction boom in the area, Matlow says it is important that the voices of the area’s residents are heard. “There are dozens and dozens and dozens of current development applications and we expect dozens more, so I think it’s really important to be proactive,” he says. “If one goes to Rome or Paris or even as close as New York, you will find that throughout these cities great public spaces have been created. Toronto for far too long has strived for the heights of mediocrity.”

It’s probably a stretch to say Yonge and Eg will ever be one of the city’s greener spots, but maybe there’ll be room for a few trees among the forest of condos after all.

Ten must-see bands at North by Northeast

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It’s that time of the year again. North by Northeast, the annual music festival that brings hundreds of bands to Toronto, kicks off this week — and the slew of shows to check out can be a bit overwhelming.

As such, the NXNE folks have come up with this nifty app to help organize your schedule. But in case you’re not tech savvy, or are just looking for a guaranteed good time, we’ve compiled (in no particular order) our 10 must-see shows below.

By Divine Right

Part psychedelic rock and part dream pop, Toronto’s By Divine Right has maintained a steady fan base since the mid ‘90s. Fronted by Jose Contreras, the band’s lineup has previously included the likes of Feist, Brendan Canning and Brian Borcherdt (of Holy Fuck). So it’s no wonder that when the band released their ninth album, Organized Accidents, earlier this month, it gave us both what we’ve come to love from the band plus something unexpected at the same time. They’ll be playing their groovy tunes at St. James Park on June 14.

 

July Talk

For a band that only released their self-titled debut record last fall, July Talk perform with the chemistry and cohesion of rock veterans. Peter Dreimanis’ gritty, Tom Waits-esque vocals play perfectly well against Leah Fay’s sweet voice. Add to that wailing guitar riffs and booming drum beats and you won’t be able to help but cut a rug. July Talk will be joined by Imaginary Cities, Wildlife and Sam Cash on June 14 at Mod Club Theatre.

 

Coeur de Pirate

Montreal’s Béatrice Martin, who goes by Coeur de Pirate, has been credited with focusing the international spotlight on Francophone music. The combination of her bubblegum pink voice and sunny piano numbers (think Regina Spektor) guarantees the perfect performance for a date night (at The Great Hall, June 13). After all, French is the language of love, oui?

 

Majical Cloudz

Saturday night at Blk Box will probably be a bit of a haze. Montreal singer-songwriter Devon Welsh has teamed up with Matthew Otto to form Majical Cloudz, a synth-heavy and moody duo. Welsh’s hauntingly hollow voice has been measured against Jim Morrison and Dave Gahan, and it pretty much promises a memorable show. Majical Cloudz performs as part of the Neon showcase along with Ryan Hemsworth and others on June 15 at Blk Box.

 

Moon King

Buzzing guitars, spectral vocals and hooky beats characterize Toronto-based group Moon King. They’ve been defined as grunge-pop, which seems like a bit of a paradox, but Maddy Wilde (of Spiral Beach) and Daniel Benjamin have somehow made sense of it. Prepare for loud, energetic, punchy tunes. Which basically means that any one of their three shows (at Horseshoe Tavern, Wrongbar and Yonge-Dundas Square) will be a hell of a lot of fun.

 

Ludacris

After Big Boi had to cancel his NXNE performance because of an injury, another Atlanta native stepped in. Ludacris’ free Sunday show at Yonge-Dundas Square will wrap up NXNE, alongside Joey Bada$$, Fat Tony, Smif N’ Wessun, Mickey Avalon and The Underachievers. Here’s hoping your dad is into hip-hop, because we already know Luda loves the ladies in this city.

 

White Lung

Today’s punk bands could learn a thing or two from Vancouver’s White Lung. The band’s menacing, dirty and fast-paced brand of punk rock is reminiscent of the genre’s inception (and arguably its peak) during the mid ’70s. For anyone worried that they might be too hardcore, there are some pop-driven tracks on the latest offering from the group, Sorry, which was released this spring — but the chances of a mosh pit are pretty good. After an extensive tour this spring with Toronto’s Metz, they’re in town for a doubleheader on June 14 and 15.

 

Calexico

Arizona indie mainstay band Calexico are one of the biggest names to play during NXNE week. Their unique blend of alt-country-rock infused with Latin American themes, such as mariachi, has been perfected since their first record was released back in 1997. At times they can get into funky, groovy tunes, and at others, they put out hushed, acoustic songs. That means that their performance at Mod Club on Wednesday will likely span a good range and have something for everyone.

 

Gold & Youth

In mid-May this year, Vancouver’s Gold & Youth released their debut record on local label Arts & Crafts. Beyond Wilderness was a long time in the making, because the band had been riding the wave of their single “Time To Kill” since the previous year. And the album is every bit as good as expected — a danceable, ’80s new wave-ish record dripping with droning synth machines. They’re just coming off a performance as part of the Field Trip Festival, and will be performing this Friday night at Blk Box.

 

Villagers

We were as surprised as anybody to learn that there is a pretty big market for indie folk music in Europe. But it turns out that bands such as Villagers, an Irish folk group, are at the helm of the genre’s steady rise. They’ve just released their second album, Awayland, which is bright and upbeat, but keeps true to lead singer Conor O’Brien’s dark themes. Be sure to check them out this week, as it will be the band’s only Canadian stop on the tour. They’re performing two NXNE sets, both the night of June 15, at Sidedoor and later at The Great Hall.

Concert Review: New Kids on the Block with Boyz II Men and 98 Degrees at the ACC

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I have an admission to make that could rescind any right I have to call myself a music critic: I thoroughly enjoyed Friday’s NKOTB-led Package Tour. Contrived marketing ploy? Sure, but so what?

And no, I’m not just trolling. In truth, the trinity of New Kids On The Block, 98 Degrees and Boyz II Men brought the right blend of energy, variety and fun to make for a highly entertaining night at the ACC.

To properly break down the fragmented show — with three bands performing independent of one another — let’s  examine things one boy band at a time.

Boyz II Men

That the Philly-based trio was allotted a mere 30-minute set was rather perplexing. From their show-opening “On Bended Knee,” they set an interactive, energetic tone and worked their tails off to get a still-arriving crowd engaged.

Armed with their trademark rose ceremony and a synchronicity (as best demonstrated during “I’ll Make Love to You”), B2M showcased the crowd-pleasing flourish that has helped them stay fresh after 20 years. By the time they wrapped things up on a high note with “Motownphilly,” they had the near-full house firmly in their corner.

98 Degrees

Easily the nadir of the three bands, the Nick Lachey-fronted quartet didn’t so much elicit nostalgia as make fans wonder how the band got so popular in the first place. With poor vocals and a half-hearted commitment to coordinated dance moves, they looked the part of a band that has been out of the spotlight for nearly a decade.

Whether it was Lachey’s disingenuous stage presence or the sluggishness of his visibly aged bandmates, 98 Degrees’ 45-minute set proved an ideal time for a bathroom/beer break for many in attendance.

New Kids On The Block

Being together for 25 years means two things for NKOTB. It means that their name is highly misleading, but it also explains the polish, chemistry and seamless flow that characterize their live performances.

As the featured act on Friday night, the five members were locked into step with one another throughout the 16-song set. Donnie Wahlberg, the band’s heart and soul, effortlessly captivated the crowd during “Cover Girl.”

There was time for Jordan Knight’s ab-showcasing, Danny Wood’s breakdancing and a romp through the audience to get up close and personal with fans (that is, for those who didn’t take matters into their own hands by falling over the barrier). When Joey McIntyre told the crowd that Toronto holds a special place for them behind only Boston, you actually believed him.

All told, those on hand for Friday night’s show didn’t seem to mind that The Package Tour was decidedly that – packaged. They simply decided to go along for the ride on a fun night that allowed them to revert back to their screaming, teeny bopper former selves.

Concert Review: The Rolling Stones at the ACC

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For the second of their two nights at the ACC — part of their monumental 50th anniversary tour — The Rolling Stones again succeeded in bringing an epic feel to the proceedings.

The band ensured that its larger-than-life aura would be well represented right off the bat, coming out to a raucous ovation on the iconic red lips-shaped stage. The four band members (well, five, if you count Mick Taylor) held true to their image as rock gods with the help of a massive background screen that portrayed them as giants, which in a sense was true. As they jumped right into their standard show-opener, “Get Off Of My Cloud,” the crowd showed that it would do its part in creating the night’s electric atmosphere.

Even without a special guest appearance a-la Carrie Underwood, the ACC faithful were in a forgiving mood. Most of those in attendance stood throughout the nearly two and a half hour show, upping the volume for Stones staples such as “Honky Tonk Woman,” “Start Me Up” and “Brown Sugar.” By the time the band kicked things into a final high gear during a three-song encore (“You Can’t Always Get What You Want,” “Jumpin’ Jack Flash” and “Satisfaction”), the crowd was in a fully bombastic mode.

It could be said that the only problem with the Stones’ Thursday night follow-up set was the band itself.

Many music reviewers (myself included) can be too liberal in lauding graying performers as “ageless,” as if to suggest that they are still at the peak of their abilities. Mick Jagger and co. are certainly remarkable for their endurance and their ability to still rock along the way to 70 (or, in the case of drummer Charlie Watts, past 70), but to suggest that they haven’t lost a step is to diminish what was an iconic heyday.

Yes, the lead singer still “moves like Jagger,” but his once-stunning vocals no longer have the power to force listeners to take notice. Only when joined onstage by talented vocalist Lisa Fischer did the master of charisma raise his game. His backup musicians didn’t fare much better, with both Keith Richards and Ronnie Wood appearing to take off large chunks of songs and looking the part of musicians who were feeling the fatigue of a worldwide tour. Richards came to life during his feature performance on “Before They Make Me Run,” but the best musical performances of the night were still saved for Fischer and the students of the Cawthra Park Secondary School Chamber Choir, who offered a spine-tingling interlude to “You Can’t Always Get What You Want.”

The sole responsibility of a live performer is to entertain, and The Rolling Stones did that in spades on Thursday night. But for an iconic band that has seemed immortal for so long, the night also offered indications that they might be mortal after all.

Power Ball 2013: fun, but we’ve seen better

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Power Ball, the annual fundraiser for The Power Plant, has become synonymous with bacchanalian sublimation. Bay Streeters don on-theme costumes and mingle with Hogtown’s boho set, who often use the event as an excuse to strut their most outlandish outfits.

Guests milled through the lower level of The Power Plant and enjoyed signature cocktails provided by sponsors such as Grand Marnier, Don Julio and Tanqueray. Last year, Marc Thuet pulled out all the stops: between the poutine bar and the spit-roasted bison, guests left feeling more than gluttonous. This year, food was so scarce that we overheard a suited business type plotting to ambush a waiter. Like bison to a watering hole, sequin-clad guests surrounded the bowls of sour candy in an attempt to offset the copious amounts of booze everyone was swilling.

Art installations by Zeesy Powers, Ryan Trecartin and Alexis O’Hara (among others) provided fodder for conversation, while a tin foil-covered hallway — inspired by Warhol’s Factory — made for a great photo backdrop as party girls mingled and Instagrammed.

Perhaps it was the rain, but unlike previous years, few guests engaged with the theme, “15 minutes,” which was inspired by an Andy Warhol quote: “In the future, everyone will be world famous for 15 minutes.” Off-the-rack knee-length floral print dresses and straight-from-work suits dominated the sartorial landscape.

We spotted Amanda Lew Kee, who decided to forgo the 15 minutes theme, but looked fantastic with a self-crafted headpiece of snapdragons. Kirk Pickersgill and Stephen Wong (the duo behind Greta Constantine) showed up looking dapper in black, with gold accessories. Jeanne Beker, who’s had more than her 15 minutes, looked elegant in a structured ebony number. As the party roared into the night, a lady sporting an extreme play on minimalism joined the fray in an effort to raise the sartorial bar. Her outfit? Heels and only heels.

We’re going to chalk up the lack of costume enthusiasm to reality TV. When anyone can become famous for 15 minutes without any real star-appeal, the star bar is set fairly low. But as we learned from Toronto’s attempt at a Jersey Shore spin off, Hogtown doesn’t do reality TV very well (we don’t even have The Real Housewives).

Hopefully next year Toronto embraces the fantastical and really makes an effort at Power Ball.