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Shop Crawl: Boutique hopping on the Bayview strip

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A closet full of clothes
Butter Studio stocks accessories and clothing that are fashion forward, artistic and whimsical. A walk-in closet of sorts, Butter is a place to play dress-up and experiment with different styles as if you were in the comfort of your own home. Although the store is only 300 square feet, owner Lorri Shewchuk has managed to fill it from floor to ceiling with an assortment of goods ranging from a $2 meditation pebble to a $975 locally made luxurious wool coat. “My clients appreciate that they can come in for either the fun, fanciful affordable item or the investment cashmere foundation sweater they’ll enjoy for the next 10 years,” says Shewchuk. With each and every visit to the boutique, regardless of outcome, there is a genuine connection and appreciation between Shewchuk and her clients. Butter Studio, 1693 Bayview Ave. 

A fun and friendly way to shop
Your Clothes Friend has been making women feel beautiful for more than 25 years on Bayview, and owner Wendy Goldman attributes her success to the way she treats  her customers — as though they are her friends. Her stories of whom she has helped — from 20-year-olds looking for something edgy and fun to 80-year-old women searching for casual or work-oriented clothing — are endless. Whether by walk-in or personal appointment, Your Clothes Friend takes the time to get to know you as a person before suggesting something that will work with your body type. “We look for something that fits your personality,” says Goldman. Your Clothes Friend, 1573 Bayview Ave. 

Casual Parisian style
Ever wonder what’s trending in Europe’s fashion scene? Must Boutique is the place to find out. Their buyers travel to Europe every month to bring back the latest casual wear from Italy, France and Denmark to refresh their collection. The wares are sourced and hand-picked from small manufacturers, stocking many blouses, dresses, skirts and sweaters in luxe materials like linen, silk and cashmere. Each piece is also affordable and under $100. The spring collection is composed of tunic sweaters and matching cashmere leggings. If you pick up a skirt or two here and travel to Paris, don’t be surprised if you fit right in with the locals. Must Boutique, 1575 Bayview Ave.

Basia Bulat puts out her most sonically adventurous album yet

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“The record is about transitions really,” says Toronto’s Basia Bulat. “And for an album called Good Advice, there is very little advice on the record.”

Bulat, who plays the Mod Club on Feb. 19, is something of a musical adventurer. She’s constantly experimenting and pushing herself to break new creative ground with each album, from her 2007 debut Oh My Darling to 2010’s Heart of My Own and her most recent effort, the Juno Award–winning Tall Tall Shadow, released in 2014.

Good Advice could be described as Bulat’s most sonically adventurous, as well as the one that might be most pleasing to her mom, the piano teacher. Her charming auto-harp and the acoustic guitar take a back seat to the keys on this one.

“It was a really fun record to make,” she says. “It was a long time coming and something really different for me at the same time. I grew up on piano and keyboards.”

Good Advice was recorded in Louisville, Ky., at La La Land Studios, and is set for release on Feb. 12. Twirling the dials and dropping beats as producer was a fella by the name of Jim James, a pretty big deal in bands such as My Morning Jacket and Monsters of Folk.

Bulat first met James while on tour in Austin, Texas.

“He’s somebody who does something different with every record and still sounds like himself,” she says. “So it was a natural and perfect choice, also because he was my friend.”

With Good Advice, Bulat has crafted a powerful album, consistent and splendid in sound, with each song packing an emotional wallop thanks to deft songwriting. Although not preachy, Bulat does hope she reaches people.

“I never want to tell people how to feel, but I do hope people feel something,” she says. “Whenever I’m in cloudier moments, music is what helps me get through. If it even helps one person, then that’s great.”

Fun-filled finds for Family Day

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With all of life’s hustle and bustle, it can be hard to find the time to organize a truly memorable Family Day. So we did it for you. Here are a few great ways to get the kids excited about spending time with their parental units. This Feb. 15, bond while escaping rooms, bumping into each other in bubbles or creating art.

Escape before time runs out
What could be better for bonding than working as a team to decipher clues and escape a locked room? Battle for the best time at Mystery Room, which is hosting a Family Day competition. Roundabout is taking 15 per cent off for families who play the rooms on Family Day. Take a chance to win a free game at the Great Escape Canada by entering your family name into a draw during the Family Day weekend event. As part of the event, children get discounted prices. Or spend a fun-filled day at Riddle Room choosing from escape games and board games in the café. As part of the fun, families get free drinks under $5 when they play an escape game.

In your own little bubble
Bubble soccer is an emerging sporting game in which players suit up in giant inflatable plastic bubbles and play soccer. Bubble soccer can be used as a team-building activity or simply to have fun with family and friends. PVP Sports is having a special Family Day event for families. On Sunday and Monday, they will have an all-you-can-play special for three hours for all the games at the facility. Groups will need a minimum of four people, and drop-ins are welcome. Bubble Soccer Toronto Limited isn’t holding an event specifically for Family Day, but they welcome all families who would like to plan a personal Family Day outing.

Create unique memories that dazzle
Creating unique art pieces together as a family is a fun way to bond. With Family Day approaching, art studios, painting shops and pottery studios are looking to help families create lasting memories and works of art. Color Me Mine will be opening for families to spend time in the studio painting ceramics. Just drop in, pick a piece and paint it together. Glaze Craze will have extended hours for Family Day. Families can drop in and pick a piece of pottery or glass to paint or do glass fusing, glass etching or canvas painting. For the more experienced art lover, clay modelling is also an option. Crock A Doodle in Etobicoke is having a weekend-long drop-in event for Family Day. Families are invited to check out the store and paint pottery together to create unique pieces of art.

Laura Vandervoort on her last season of Bitten and her latest role as a supervillain

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Actor Laura Vandervoort was a Bayview girl from the beginning. Born and raised in Toronto, she graduated from York Mills Collegiate Institute, and has called the city home for most of her life. 

Her current onscreen persona has her as Elena Michaels, the world’s only female werewolf, in the Space original series Bitten. The third and final season begins Feb. 12.

Vandervoort is best known for her role on Bitten but has also appeared on other television shows like Smallville and V, as well as on the big screen, most recently alongside Mark Wahlberg in Ted and with Reese Witherspoon and Chris Pine in This Means War. Next, she’ll be popping up in a recurring role in CBS’ Supergirl as DC Comics villain Indigo.

Three years ago, she made the move to L.A. and it’s understandable that what Vandervoort misses most is her family. But because Bitten was filmed in Toronto, she was able to get home five to six times a year.

“I was really lucky to be working on a show that allowed me to be home so much.” And although she’s trying to make L.A. her home, her roots are still showing through. “I have my Canadian flags up,” she says with a laugh. “It’s amazing how many Canadians you meet here.”

Much of Vandervoort’s career so far has been made up of playing strong female characters — something that has been a deliberate choice on her part. “

It’s just something I’ve always enjoyed playing. It’s something that empowers me.” She explains that a lot of her early roles were more one dimensional, like the cheerleader or the girl next door, and she decided she wanted to go deeper with her roles.

When she was cast in Smallville, Vandervoort realized that sci-fi was a place where a lot of strong female characters existed. “Sci-fi allows for writing strong, more layered female characters,” she says. Elena in Bitten, being the lone female werewolf in the world and not to mention living among a pack of males, has been another role with a lot of depth and strength to tap into. “This season there are a lot of surprises that get thrown her way,” Vandervoort says. “She’s harder this season with her personality, but at the same time, you get to see a softer side of her.”

Vandervoort draws parallels between Elena’s growth in the three seasons of Bitten and her own growth as an actor. 

“There’s always something in the characters I play that mimic what’s happening in my life at that time,” she says. “In season one, I was nervous going into this role, and Elena at that time was a nervous, unsure woman going into a new situation. But the Elena from season one is so different to what you’ll see this season.” Like the character, Vandervoort has grown and changed over the three seasons of the show. “My confidence has grown a lot as I’ve played this role.”

That confidence is something she is bringing to her new role on Supergirl

“I’m definitely more comfortable in myself and what I wanted to do with my character,” she says. “I feel like I’m in a space where I can play with characters a bit more and people will allow it because they trust you and you have experience.” 

Although she can’t disclose much about her role in Supergirl, she does say that she’s having a lot of fun discovering who her character Indigo is.

“This is a very different character than anything else I’ve done. It’s night and day from Supergirl.” Supergirl is a role Vandervoort knows well, having played her for four seasons on Smallville.

When it comes to adjusting to living in L.A. and an environment known to be superficial, often creating pressure to be at all the right places and all the right parties, Vandervoort has made the decision to take a more laid-back approach to life in Hollywood. She explains you can easily be going to all the hot spots at night and hanging out with people who want to be seen, but you can also avoid it if you want. It’s something she tried for “a second” but that ultimately didn’t feel right.

“I was not comfortable in my own skin in those situations,” she says.

Vandervoort surmises her lack of interest in that lifestyle could be because she was raised in Toronto, a more relaxed place to grow up. She also attributes her frequent return visits to Toronto as something that helps her maintain a healthy perspective.

“I come home a lot and being with family is important. It keeps you grounded,” she says.

In addition to all her onscreen hours, Vandervoort made time to pen a children’s book called Super Duper Deelia. Although the story was never published, it has been optioned into a live action TV series on which she will be executive producer. She was inspired to write the book after attending comic conventions where fans would bring their children with them. She realized she was meeting a lot of girls between the impressionable ages of six and 10 who loved superheroes but didn’t necessarily have the right characters to look up to. 

“I realized a lot of the women in comics they looked up to have unrealistic body types, and even though they were strong characters, they were being sexualized in an unhealthy way,” says Vandervoort.

This didn’t sit right with her, so she decided to do something about it. Having gone to York University for writing, she went to work creating a character she thought young girls could relate to, one that discovers she has superpowers on her 10th birthday. 

“She [Deelia] is someone their age, going to school, going to sleep-away camp, all the while being a superhero and trying to figure that out. She’s figuring life out and she’s not doing it in a miniskirt. These characters don’t have to be kicking ass in a skirt.”

Going forward, Vandervoort says she likes the idea of getting behind the camera and writing more.

“I’m creator and executive producer on this kids’ show, so that will be a good testing ground for me.”

With all of that on her plate, Vandervoort is doing her best to live in the moment while at the same time looking to the future. 

“I’m trying to enjoy the journey but also trying to expand my realm,” she says. 

Local Hero: Pauline Tong, the Leaside resident who has helped raise millions for seniors’ care

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Pauline Tong, Leaside resident and former Yee Hong Community Wellness Foundation (YHCWF) president, returns every year to volunteer her time to the charity. “The Dragon Ball is in my blood,” she said.

The Dragon Ball benefit, orchestrated by YHCWF,  is moving into its 27th year and has become an annual tradition for many people in Toronto since it was first conceived in 1990. Scheduled around the Chinese New Year, the event has raised approximately $26 million for “culturally appropriate” senior care to date. Tong has been there every step of the way, helping grow the event to the mainstream behemoth it has become today.

Paying respect to one’s elders is a core pillar of Chinese philosophy — one on which the event is built, Tong said.

“We need to pay respect to our parents and grandparents in some special ceremonial way,” she said. “[Our seniors] have supported us all our lives … without them, we are nobody.”

All funds raised by the event will support the care and services provided by Yee Hong Centre for Geriatric Care to seniors in the GTA. Four long-term care centres provide language services, cultural programming and more.

“We don’t just serve Chinese seniors; we serve other cultural groups as well,” Tong noted, before calling attention to different wings in each facility that are allocated to South Asian, Filipino and Japanese seniors.

The event will be held on Feb. 6, at 255 Front St. W., and is expected to raise $1 million. But with over 4,000 seniors on the waiting list to get in, Tong said it’s never enough.

These marijuana candies are stronger than you think

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When marijuana legalization was enacted south of the border, edible products presented a bit of a problem. The thing is, weed is surprisingly potent when eaten, because the body absorbs more of the plant’s psychoactive chemical, THC. 

Today’s marijuana contains roughly 12 to 25 per cent THC, while edible products can contain anywhere from 50 to 90 per cent THC. High Times magazine recommends a dose of 10 mg of THC when eating, but judging a proper dosage with marijuana edibles is difficult for a number of reasons (for one, the effects take long time to kick in).

Consuming too much weed is not fun. In 2014, a New York Times columnist documented her unsettling experience after accidentally eating too much. It can also be dangerous. USA Today reports that eating too much marijuana can cause “extreme paranoia” and “anxiety bordering on psychotic behavior.”

Plus, many of these products look exactly like regular old non-psychoactive candy. Do we want kids getting into this stuff? These are issues that Justin Trudeau and the Liberals will have to consider during their legalization process.

Take a look at some of these edible marijuana products.

(A) EdiPure Gummies, 10 mg THC each

(B) Goodship sea salt chocolate chip cookie, 10 mg THC

(C) Marijuana suckers, 20 mg THC each

(D) Terra Bites blueberry milk chocolate, 5 mg THC per bite

Restaurant Review: Hemant Bhagwani gets his groove back with Indian Street Food Co.

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I knew all was not well with Amaya on Bayview. My previously most beloved Indian resto had slipped. First there was the adulteration of the cooking, the little slips like overcooking the lamb chops and too much cream with the prawns. Then they started selling Groupons and the service went to hell. You could just tell the heart had gone out of the place. It didn’t help that owner Hemant Bhagwani had expanded at a ferocious rate — up to eight Amayas at one point. Talk about diluting the brand.

But oh joy, Mr. Bhagwani came to his senses. He closed some of his Amaya branches and gave the others to someone else to run, deciding to focus 100 per cent on the Bayview Amaya, which he knew had lost its vision. This man is very smart. He closed Amaya, did a breezy reno to make the room more casual and fun, and reopened it as Indian Street Food Co.

Which is now a dream come true. Lovers of Indian food will be over the moon here. They start you with a splendid little lassi scented with saffron, pistachio and almond. The app that puts a big smile on my taste buds is chaat: Crispy puffed rice with pomegranate, potato, tamarind chutney, chickpeas and yogurt — sweet, hot, fabulous.

Most of Mr. Bhagwani’s new items are inspired by the street food of his homeland. I personally was too chicken to eat street food in India, but I ate in people’s homes and did notice that the interest level of the spicing of the food seemed to increase in inverse proportion to the pretension of the surroundings. So bring on the street food!

Street-inspired spicy chicken tikka is the most exciting tasting tikka I’ve ever tasted, and serving it on buttery flaky paratha with mint chutney is inspired. Tamil kothu roti (from Sri Lanka) is equally jazzy — chopped paratha with raw cabbage, chilies, exotic sprouts, onions, coriander and lemon. Supercharged savour! Charcoal grilled prawns come in a sweet little tiffin box with crunchy noodles and mango slaw.

Arvi tuk is a splendour of jumped up flavours: A base of crunchy fried taro topped with tamarind chutney, kachumber (Indian chopped salad), chili spiced yogurt and thin slices of watermelon radish.

Superyummy! 

Best of all: Mr. Bhagwani has done away with tipping. He adds a 12 per cent admin fee to every bill and splits that among his staff — from dishwasher to maitre d’ — equally! Which creates a pretty delicious atmosphere when the Visa machine hits your table and there’s no tip button to push.

Indian Street Food Co., 1701 Bayview Ave., $60 dinner for two

Joanne Kates trained at the Ecole Cordon Bleu de Cuisine in Paris. She has written articles for numerous publications, including the New York Times, Maclean’s and Chatelaine.

How will Toronto police spend a billion dollars?

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No one doubts the sophisticated nature of the cultural scene in Toronto. Some of us might not jump to the way the rapper Drake refers to our city as “the 6” or gush over the performances of Opera Atelier, but most of us recognize that there’s a big rich world of culture in our city.

But are we ready for a Potemkin budget? Or does that push the boundaries of culture beyond the acceptable?

Gigory Potemkin was a lover of Catherine the Great, and governor of southern Ukraine and the Crimea. To show her allies how strong Russia was if war broke out with the Ottoman Empire, Catherine barged down the Dnieper River. It was a pretty desolate place, so to make it attractive to Catherine and her dignitaries, Potemkin created movable villages, which could be set up and dismantled in short order. Just before Catherine’s barge would arrive, a town would be in place, populated by Potemkin’s men dressed as peasants. The barge would move on, the town would be dismantled, then reconstructed a bit further down the river before the barge came into sight.

A Potemkin village is a fake, only there for the show. A Potemkin budget would be a mirage, one that doesn’t have a real form or any substantiality. I think we have one in Toronto. 

The 2016 operating budget of the Toronto Police Service fits the Potemkin mould. They say it exists but no one is allowed to see it. 

On Nov. 12, the Toronto Police Services Board, led by Mayor John Tory, agreed that total net police spending for 2016 would be $1,006.7 million, that is, just over one billion dollars. A six-page summary budget was filed as well as two brief reports from Chief Saunders, but there was no detailed budget. The summary gave one-line explanations, for instance showing that $526 million would be spent on uniformed staff and $138 million on civilians. There was no breakdown of staff allocation, the functions performed or the change from last year.

Since October, I and others have asked the board to make public the complete line-by-line budget. The board has consistently declined to do so. In mid-November I filed a Freedom of Information request to get a copy of the police operating budget. Surely there’s a problem with transparency when a city department refuses to make its budget public, but apparently that concern is not shared by the mayor or the other six members of the board.

Finally in mid-January, I received an answer to my FOI request: I was sent the same material that had been before the board in November. I was not provided with the full budget reflecting the way the police department wishes to spend public money in 2016. Maybe the police just want a pot of a billion dollars that they can spend as they want without any real constraints. That would be why they pretend there’s a budget but never agree to show it. Potemkin would understand.

My experience in regard to the police budget is not good.

A year ago, after the board had approved an expenditure limit of $980 million, the board finally released the full 750-page budget for 2015. I found to my surprise it bore little relation to what then Chief Bill Blair said about it in his reports to the board. For instance, the full 2015 budget stated that each of the 17 divisions would lose 10 police officers for a total reduction of some 172 front line officers. As we know, that never occurred, and since the Police Association never objected to such a chopping of staff, it is fair to say that the budget was never intended to reflect real-life expenditure. There were a number of discrepancies that I publicly wrote about at that time.

Is there a real police budget for 2016? If so, how does it relate to the unusual 2015 budget? What does it say about those 172 officers that were to be let go? Living in the age of high culture in Toronto, I suspect the best we will get is a Potemkin police budget: smoke and mirrors, illusion but no solid figures meant to direct and constrain police spending.

Board chair Andy Pringle has said he wants to create a process that will begin looking at real change in the police department. Making public a police operating budget for 2016 might be a good place to start.

More care, less cuts for our doctors

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Ontario’s medical doctors feel trapped in a process where they are treated as government employees, when it suits the government, and small business owners otherwise. 

In the past, physicians have negotiated their fees with the provincial government. However, with the expiration of a contract between physicians and the government, fee cuts have been dictated to physicians. Yet most receive no vacation pay, sick days or pension as would a government employee. They study 10 to 15 years, while often working for less than minimum wage during their training. 

Ontario doctors must pay for rent, staff and equipment. They are furious when the Ministry of Health misleads the public by suggesting OHIP billings are doctors’ take-home pay. This Liberal government expects the total amount paid to all our doctors collectively to remain the same year after year — with no extra money for our increasing population, aging population, up-to-date medical treatments or the rising cost of running a clinic.

Dr. Drue Mandel is a family practitioner in York Region. He wants us to know that the health and well-being of his patients is his priority, but he also wants to be treated fairly. 

“It is important that the public understand, when the government says they are spending more money on health care, it does not translate into more money to help doctors run their clinics. The repeated reduction in OHIP fees is making it more difficult to provide the services our patients need to be healthy,” he says. 

If we want our physicians to feel valued, we must insure that tax revenue is prioritized for #CareNotCuts.

The Pitch: Graham Abbey on why you should see The Winter’s Tale

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I was first introduced to William Shakespeare at the age of 10, when I appeared as a forest gnome in a production at the Stratford Festival. Thirty-five years later and Shakespeare is my passion; his plays are my bible. 

The Winter’s Tale is the inaugural production for my Toronto-based Groundling Theatre Company. Just as Shakespeare’s company moved to the Black Friars after summers at the Globe, Groundling Theatre is bringing Shakespeare to an indoor urban winter audience. 

The Winter’s Tale is a psychologically engrossing and romantic tale. What if we really could bring back a lost love? What would we be willing to sacrifice to do so? What would we say? These are some of the questions I am interested in exploring with the amazing cast. 

Like when the Rolling Stones played the El Mocambo, Groundling Theatre presents the rock stars of Canadian theatre at the intimate Coal Mine on the Danforth. That’s why you should go see The Winter’s Tale.

The Winter’s Tale runs at Coal Mine Theatre until Feb. 20.

Daily Planet: Adding trees to T.O. streets will make residents feel younger

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Last year, our newly elected federal government pledged to double infrastructure investments from $65 billion to nearly $125 billion over the next 10 years. Ontario has committed to spending $130 billion over the same time period. Though these commitments are long overdue, we must ensure that they include longer-lasting green solutions such as planting trees in urban areas for storm water management and other services.

Many municipalities and non-profit organizations are exploring ways to improve how we plan for, plant, maintain and protect urban trees as key infrastructure assets in our built environments. 

We often take trees and green spaces for granted, but we shouldn't. They clean and cool air, filter and regulate water, reduce energy use and protect homes and businesses during storms. Living, green infrastructure increases in value over time, unlike grey infrastructure, such as storm water pipes, which depreciate. As trees mature they provide exponentially more benefits to residents.

Healthy street trees can lengthen the lifespan of built infrastructure, like roads and sidewalks, by shading them and reducing effects of weathering, and they provide significant human health benefits. 

This summer, using data from Toronto, David Suzuki Foundation Ontario director Faisal Moola and his academic colleagues found that adding 10 trees to a block can produce health benefits equivalent to a $10,000 salary raise or being seven years younger.

Despite their enormous value to society, urban forest canopies are stressed and in decline in many parts of the country. Hot, dry summers and increasingly frequent and extreme storms are wreaking havoc on city trees. Urban development, invasive species like the emerald ash borer and other threats have also reduced growing space and killed millions of trees.

Few municipalities have the necessary financial resources to manage and protect their urban forests in the face of growing and diverse threats. To help resolve this, provincial and federal governments need to update the definition of infrastructure to include green infrastructure such as trees, rain gardens and permeable surfaces, and allow municipalities to spend money to develop and maintain these assets.

Higher levels of government must also update the standards by which municipalities report and manage their government assets to include trees, parks, wetlands, woodlots and public aquifers. That would facilitate setting minimum provincial standards for maintenance of critical green infrastructure and would improve management practices. 

It’s also important to make living, green infrastructure a crucial component of provincial and federal climate change strategies. Urban forests contribute greatly to reducing greenhouse gas emissions by absorbing and storing carbon dioxide in tree biomass, understory vegetation and soils. Urban trees also help us adapt to and cope with climate change impacts by shading communities during periods of extreme heat. 

If we’re going to build, let’s build green. Green infrastructure reduces costs associated with grey infrastructure. It also provides benefits that improve the health and well-being of residents and makes our communities more beautiful and pleasant.

Steven Page gives iconic Beatles album a makeover with Art of Time

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Growing up, Steven Page says he spent countless hours adoring and admiring the Beatles’ iconic 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Now Page and a few other notable Canadian singers are putting their own imaginative spin on the album courtesy of Toronto’s Art of Time Ensemble.

“It’s not your standard Beatles cover show,” Page says of the concert, set for Jan. 21 at the Sony Centre. “They have some really top notch contemporary composers who are doing the arrangements for Art of Time, but at the same time the vocal parts are all exactly verbatim from the Beatles record.”

In addition to performing with the Art of Time Ensemble, Page will be playing with a full symphony backing him up — the Kitchener-Waterloo Symphony — along with Craig Northey of the band Odds, Andy Maize of Skydiggers and Glen Phillips of Toad the Wet Sprocket.

“This is going to be exciting and daunting at the same time, because it’s huge,” Page says. “I don’t know how, but I’m not going to be just smiling my head off while singing with them.”

Page, best known for his years with the Barenaked Ladies, forged a friendship with Art of Time’s artistic director Andrew Burashko in 2008 celebrating the 40th anniversary of the album Abbey Road. But Page says the approach has changed.

“When Andrew decided to do Sgt. Pepper’s, he wanted to have four guys onstage the whole night,” Page says. “The camaraderie of having four guys onstage for the whole show, I think it makes the whole thing feel more present and in a certain way a more fitting tribute to the original band.”

Although the wall of sound finale from “A Day in the Life” should be epic, Page mentions “With a Little Help From My Friends” and “She’s Leaving Home” as personal faves.

Page is also set to release a solo album in February, and he’s doing the music for Macbeth at the Stratford Festival as well as a few Sgt. Pepper’s dates across Canada and the United States.

“For us, a lot of the fun is surprising them, giving them a challenge without it being an adversarial one,” he says.