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Developer withdraws application from OMB

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Richmond Hill residents are celebrating after a proposal for a high-density development was withdrawn, but planning staff and the local councillor said their victory could be short-lived. After the town’s councillors rejected their proposal, Intracorp Projects Acquisitions Ltd. appealed to the Ontario Municipal Board (OMB), but withdrew their application during the mediation process before the full hearing.

The proposal originally sought official plan and zoning bylaw amendments to permit 780 residential units on Yongehurst Road and Weldrick Road, near Yonge Street, consisting of two nine-storey apartment buildings, two 15-storey buildings and a 15-storey seniors’ apartment building.

Because of its close proximity to Yonge Street, the area has high appeal with developers, and it’s likely Intracorp could come back with a revised proposal or that a new developer will put forward another proposal, said Coun. Nick Papa.

But neighbours, such as Frank Zeppieri, president of the Yongehurst-Weldrick West Residents Association, said 700 households are against developers who do not respect the official plan.

“It was totally out of character for the neighbourhood. It would have destabilized the whole area,” Zeppieri said. “They wanted to breach the official plan, which is the result of hours upon hours of public and professional input. [Ours] was a grassroots initiative from pretty well 700 households in direct opposition. But we had to fight against our own local councillor, which is disgusting.”

Coun. Papa, who was in favour of the developer’s proposal, said that, whereas the current status of the development is confidential, he is open to hearing future proposals from Intracorp or any other potential developers. However, planning staff has closed Intracorp’s file, and it is now considered “abandoned.” According to Zeppieri, Intracorp also offered to buy out 10 residential properties currently on the land, but it’s unclear if those offers still stand. Intracorp declined opportunities for comment.

Real estate mogul Shane Baghai enters burger business

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The latest project from local developer Shane Baghai will be a chain of burger restaurants, the condo king recently announced. Named for his farm in Caledon, Paradise Farms Café will promote a local, natural and environmentally friendly menu, a rarity in Toronto’s burger business, according to Baghai.

“It is absolutely ridiculous to me that we have meat flown in from Australia or New Zealand or faraway places for consumption in a city where we do have valuable farmland,” Baghai said.

His motivation comes from his wife, who was told by doctors to avoid potentially harmful artificial hormones, commonly found in cattle. Baghai said five cattle on his farm turned into 500.

The first Paradise Farms Café will be located in the Bayview Village area, at one of Baghai’s established real estate projects, St. Gabriel Manor, near Sheppard Avenue and Bayview Avenue. He has plans to open at least two more in the GTA. Currently, Pusateri’s and Nortown Foods sell Paradise Farms products.

“Locally grown food should be retailed with a vengeance,” he said.

Push to protect two historic Mount Pleasant theatres

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Locals are looking for ways to protect Mount Pleasant’s historic movie theatres, the Mount Pleasant and the Regent, from being dramatically altered. Although the theatres continue to show films and the owner has not publicly declared any plans to sell, the decline of independent cinema, coupled with the thought that he might eventually sell, has been enough for the area councillor to take action.

The city has already recognized the Regent’s significance with a heritage designation, but this does not afford full protection from redevelopment. Originally known as Belsize Theatre, it was built in 1927 by renowned Toronto architect Murray Brown. The Regent is zoned for up to 16 metres, while the Mount Pleasant has a split zoning for up to nine and 16 metres.

Coun. Josh Matlow doesn’t want to wait and have to react to a development application. “I would strongly like to see a buyer purchase it [the Regent] who would like to retain it and enhance it as an iconic uptown theatre rather than redevelop it into something that will destroy our community’s heritage,” he said.

Matlow has spoken with local residents who have expressed interest in buying the Regent. He sees potential for the theatres to be part of the street’s brand and to boost business, a view shared by Julie Federman of the Mount Pleasant Village Business Improvement Area.

John Robb, a commercial sales representative at Bosley Real Estate, said he has called the owner in the past to see if he would sell, but has never received a return call. He said a developer would likely be looking to get a condo of six or seven storeys.

Without the specifications in front of him, Robb estimated that each theatre is worth in the range of $2.5 to $3.5 million.

“The local councillor — if he’s so darn concerned — why doesn’t he buy it and hold it himself?” Robb said. “We pay lots of property tax in this city; it drives me crazy that people actually think they can tell people what they can do with their land.”

Interior design heads to the great outdoors

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Thanks to the unseasonably warm spring weather, it comes as no surprise that we are moving our attention outdoors. Thoughts of sipping cool drinks on comfy loungers and backyard barbecues instantly come to mind at the mere hint of summer. However, in recent years, there’s been an increased shift in transforming an outdoor space from a simple seasonal hangout to a full-out extension of your home.

“People are looking at their outdoor space the same way they look at the rooms in their homes,” says Tommy Smythe, associate designer with Sarah Richardson Design and co-star of HGTV’s Sarah’s Cottage and Sarah’s House. “They are looking at sight lines, flow, scale. Instead of just thinking, ‘I need a table and a lounge chair,’ outdoor design is going toward indoor design,” he adds.

Heidi Richter, the designer of HGTV’s Decked Out, says the economy and priorities are two of the main reasons for the switch. “Everyone is on a budget now,” she says. “Everyone is buying their own home, saving for their children’s education. So they want to make the most from their home. You don’t have to buy a cottage or take a vacation. With a great outdoor space, you can have a staycation.”

Form and function are other factors, says Ashley Tracey, a designer with Toronto’s Lux Design. “For the people living in condos or having smaller backyards, they want to utilize the space and maximize it.”

Prioritize and budget accordingly

To get started with creating your outdoor oasis, Richter suggests evaluating what you want to do with your space — for example, creating a lounge, a play area or even a vegetable garden. “Do you want the maintenance of [a vegetable garden],” she asks. “Or do you want something more low maintenance?” Both Smythe and Tracey agree that budget and quality are key factors in deciding how to outfit your outdoor abode.

“I think there’s a desire that people have, when the weather gets warmer, to rush out to a cheap and disposable store, so they can grab what they can grab,” says Smythe. “And the problem with that is that they don’t last very long, and you’ll have to buy it again later. I would say prioritize and spend accordingly, but buy the best you can afford.”


Pattern and colour are beginning to appear in trendy outdoor spaces

Adds Tracey, “If this is a piece you want in the next 10 to 15 years, instead of the next two or three years, it’s an investment to have furniture with UV protection and water protection.” Once you’ve determined how you want to utilize your outdoor space and how much you can afford, it’s time to consider core furniture pieces.

The sectional sofa is a new addition to the backyard, according to Tracey. “Now we’re doing [sectionals] outside, so you can have a large gathering. It’s the outdoor version of a family room to entertain and have enough people around be comfortable.”

As for the aesthetics: “We’re looking at furniture with good-quality fabrics that can be left out in a light rainfall,” says Richter. “Like synthetic wood and a resin wicker weave.” Your best bet for furniture? Richter favours Southport Homes (6201 Highway 7 W., Vaughan), and Tracey likes Casalife (171 East Liberty St.). If you prefer something more unique, you may want to check out the vintage outdoor furniture available at L’Atelier (1224 Yonge St.), says Smythe.

All three designers agree that colour is making a big splash in outdoor decor. Pink, lime green, tangerine, cobalt blue — you name it, the colours of the rainbow are popping up everywhere outside and are no longer exclusive to your flower bed.

“Pattern and colour are creeping into outdoor furniture,” says Smythe. “We haven’t seen that until recently in outdoor furnishing, and it really links to the notion that people are looking to their outdoor spaces in the same way that they are viewing their indoor spaces.”

“It’s all about bright colours,” says Tracey. “People are having fun, and they’re excited for the warm weather and to be outside, so there are a lot of hits of bright colours. Whatever your favourite colour is, go for it.”

And colours are not just solely for accessories, like throw pillows and area rugs, anymore this season, either.

“For spring and summer this year, it seems that a lot of progressive furniture makers are looking at a lot more colour in the furniture,” says Smythe. “Instead of the frame being neutral and the pillows being lime green, the frames are now in colour.” For colourful furniture, Smythe suggests Alfred Sung’s line available at the Bay. For bright accessories, Tracy recommends CB2 (651 Queen St. W.) and Richter thinks HomeSense (195 Yonge St.) is a great place, but adds that “You have to be willing to hunt.”

Buy well, buy once

So what are some easy accents that homeowners can do right now to spruce up their backyard?

Smythe, for one, isn’t an advocate for a quick fix. “I would be more advised to say to people to think of their outdoor space like how they look at their living room and make a list as to how they could improve their space with its function and what they want. Maybe this year they get a new lounger and a new sofa, and next year, a rug and mirror. Good outdoor furniture lasts a long time. I believe in buying the best, so that you can only buy it once.”

However, spontaneous backyarders who want to get an early jump on transforming their outdoor space can heed the advice of both Richter and Tracey.

“New planters are fun and easy,” says Richter. “You can get tulips and daffodils for the spring, and then you can switch over to some summer plants later on. Change up the foliage as the seasons go.”

Tracey agrees. “Large-scale planters that light up give off something dramatic. It gives a cool, South Beach feeling,” adding that “an ethanol fireplace is also cool and easy and inexpensive.” And when in doubt, add some colourful throw pillows.

As for what is the season’s must-have outdoor accessory?

Smythe returns to the sentiment of furnishing your outdoor space like it’s any other room inside of your house. “Rugs make the outdoor space feel homey and interior-like, while mirrors add a little bit of sparkle.”

Richter says it’s “anything that can extend your time outdoors. We want to be out there in the evening: so candles, lanterns, outdoor lighting, some sort of fire feature, anything to give you that warmth.”

“I’m going to stick with illuminated planters,” says Tracey. “They’re awesome.”

So pull up a chair and enjoy the warm weather in your new summer sanctuary.

Morning Throwback: in the ‘50s, Toronto heroes rivalled Chuck Norris in awesomeness

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Lord Baden-Powell was such a badass that, back in 1955, he was forever immortalized in butter (well, until it turned rancid). Once, he had a grizzly bear carpet in his bedroom. The bear wasn’t dead, it was just afraid to move. He also counted to infinity — twice. And once, Lord Baden-Powell swam through land. Yes, Lord Baden-Powell was equally as awesome as Chuck Norris.

Deadmau5 and Avicii to headline electronic music fest in Downsview Park

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Fans of electronic music, this one’s for you. Some of the world’s biggest DJs will be heading to Toronto for a huge music fest in Downsview Park this summer.

Headlined by Toronto’s Deadmau5 and Swedish DJ Avicii (of “Seek Bromance” fame), the Veld Music Fest will take over the massive park on Aug. 4 and 5, adding yet another festival to Toronto’s already busy summer season. 

The complete lineup has just been announced and also includes Steve Angello, Bassnectar, Knife Party and Steve Aoki.

Tickets go on sale at 10 a.m. on Thursday (April 26). Standard two-day tickets range in price from $70 to $130, depending on how quickly you buy them. There’ll also be 3,000-person 19+ VIP area, which will set you back up to $300. (Still, you get better washroom facilites, or so we hear.) 

You can pick up tickets at Play De Record, Soundscapes and Rotate This or at the Veld fest website.

David Adjey is opening a new chicken-centric restaurant on Spadina

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Doing one thing well seems to be the motto for many Toronto restaurants these days, and now David Adjey is looking to get in on some of the action. The celebrity chef (Restaurant Makeover, Iron Chef America) is teaming up with Danny Farbman (What A Bagel) to open The Chickery, an upcoming Spadina restaurant serving chicken, sides and not much else.

The Chickery is billed as a premium-quality QSR (in other words, a fast food restaurant) focused on rotisserie chicken that’s brined, rubbed and flame-roasted. Adjey tells us the chickens are sourced from the esteemed Beretta Organic Farms and will be available in various incarnations, including sandwiches, chicken salads, quesadillas and more.

A selection of nine sides could include shoestring fries or collard greens. The restaurant will also do delivery.

The Chickery is planning for a soft opening later this week before officially opening on May 1.

The Chickery, 130 Spadina Ave., 647-347-2222

Hot Docs: Twelve movies worth lining up for

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Hot Docs, North America’s biggest documentary festival, is now in its 19th year and it kicks off on Thursday, bringing films from all corners of the globe to Toronto. With 189 films covering everything from Bob Marley to female wrestling, anyone who is interested in anything will find a flick they don’t want to miss. To help you choose, we’ve picked a dozen you might want to line up for.
 

Two music men

Beware of Mr. Baker

English drummer Ginger Baker (known for his work with Cream and Bad Faith) makes Animal from The Muppets look tame. He is described in the film as “a great virtuoso madman” who is “consistently horrible to people and to himself” but also as “the world’s greatest drummer.” Baker says if anyone has a problem with him, “Come see me and punch me on the nose. I ain’t gonna sue you; I’m gonna hit you back!”
18A, 92 min., U.S.A. (International premiere)

Marley

With Jamaica celebrating 50 years of independence this year, it seems an appropriate time to catch Academy Award-winner Kevin MacDonald’s biography of Bob Marley.
PG, 145 min., U.K./U.S.A. Canadian premiere.
 


Two kinds of warrior women

An image from Glow showing a female wrestler posing on a rooftop

GLOW: The Story of The Gorgeous Ladies of Wrestling

Self-explanatory and very ’80s.
Unrated. 76 min., U.S.A., World premiere.

The Boxing Girls of Kabul

In a country where equality of the sexes has a long way to go, Afghan women risk persecution to train in basic conditions with their coach (a former Olympic contender) in hopes of boxing for Afghanistan at the London Olympics.
14A, 52 min., Canada.
 


Two sides of prostitution

Who Cares?

In Edmonton, sex-trade workers are at such high risk of coming to a bad end that many give DNA samples to the RCMP to help investigations when that bad end comes. Filmmaker Rosie Dransfeld delves into this world of addiction and violence.
14A, 80 min., Canada. World premiere.

Scarlet Road

Sex workers to the rescue! Aussie prostitute Rachel Wotton specialises in clients with disabilities, saying, “Everyone has a right to sexual expression.”
14A, 70 min., Australia. Canadian premiere.
 


Two takes on social media

High Tech, Low Life

Citizen journalists use digital media to tell stories kept silent by the Chinese government.          
G., 86 min., U.S.A. International premiere. (In Mandarin, English subs.)

We Are Legion: The Story of the Hacktivists

A peek into the world of “hacktivist” collective Anonymous. Activism and civil disobedience on the World Wide Web.
PG, 93 min., U.S.A. International premiere.
 


Two failings in the Land of the Free

An image from The Invisible War showing a male and female soldier saluting

Invisible War

In the U.S. armed forces hundreds of thousands of women are believed to have been raped by their fellow servicemen. Director Kirby Dick lifts the lid on the U.S. militarys most shameful secret: that a woman in uniform is more likely to be raped by a fellow soldier than killed by enemy fire.
14A. 99 min., U.S.A. International premiere.

Finding North

The working poor and hungry in the world’s wealthiest country. A look at the thousands who get by on handouts from foodbanks.
PG, 84 min., U.S.A. Canadian premiere.
 


Two portraits of depravity

Jeff

Jeffrey Dahmer seemed an ordinary guy, until he was convicted of the murder (and more) of 17 people. This film talks to the former neighbour with whom Dahmer shared sandwiches, the detective and the coroner to reconstruct an everyday existence that hid a terrible secret.
14A, 75 min., U.S.A. International premiere.

The Betrayal

Norwegian director Karen Winther examines her past involvement in extremist groups in the ’90s, first as a leftist radical and then as a neo-Nazi.
18A, 64 min., U.K./Norway. North American premiere. (Norwegian with English subs.)
 

Hot Docs runs from April 26 to May 6 at Bloor Hot Docs Cinema and 10 other venues. 416-637-5150. Single adult tickets $14.50.
 


Evan Andrew Mackay is a Toronto playwright and humorist who writes about culture and social justice.


 

Morning Throwback: whatever you do, never let Al Gore see this picture of Toronto

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We know it took the help of Vanilla Ice to figure out the secret of the ooze in the early ‘90s, but we're pretty sure that Splinter and the gang first originated here, back in 1912. Yes, just through that pipe spouting filthy sludge is where an enlightened rat became master to four human-sized turtles with a penchant for pizza and the Italian renaissance. (And Al Gore had you fooled that pollution was a 21st century issue — we’ve been screwed for a while now).

Meet a Comedy Troupe: Special Features

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If you like your improv mixed with musical theatre — along with a splash of movie trivia — then you’ll dig the sweet sounds of Special Features, the Toronto comedy troupe that specializes in musical improv. We chatted with member Richard Comeau about singing the sequel to Star Trek, kissing on stage and the surprise factor of musical improv.

How did your troupe come about?
I had no friends to play with, so my mom encouraged me to entice some strangers at the Dufferin Mall with candy. It worked. Michael Bennett Leroux’s asking price was pretty high: three lollies and a box of Milk Duds.

What can people expect from seeing your show?
A musical sequel to a popular movie. That’s kinda what we do. We call it the “Unsung Sequel,” which is ironic, because we sing! We’ve done sequels to such movies as Fight Club, Clueless, The Princess Bride and A Nightmare on Elm Street, and so on. Oh, and kissing — there’s a lot of kissing in our shows. For some reason, though, the girls are rarely involved.

What do you love most about musical improv?
The surprise factor: those times when you’re up there singing and you happen to fall upon this incredible rhyme or this extremely catchy chorus. You can never expect it but when it happens, oh boy, does it feel good. Not to mention when those moments happen, the audience goes crazy, and you then you start thinking to yourself, “Yeah, that just effin’ happened… Oh crap, I’m still singing."

What’s the most memorable song you’ve ever come up with? Can you recite some lines for us?
Mine was probably our Star Trek sequel [2009 version]. I played Kirk, and Spock had just killed me with a rock. My “spirit” sang a solo with such lines as, “It’s a thought I cannot foster. His credo is ‘live long and prosper.’” I’m proud of that rhyme! But there are so many I could list: Dale’s “Michael Winslow” song, which was entirely sound effects, and Jenn and Hugh’s song in Clueless II where they threw in “Rollin with the homies” as a tribute, just to name a few.

What are a few of your personal favourite songs? (Again, can you recite some lines?)
“Creep” by Radiohead: “Ruuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuuuuu uuuuuuuuuu uuuuuuuuuunnnn!!”
“Back of Your Car” by Ryan Starr: “It’s the perfect time of night, to be losing your clothes NOW.”
“Informer” by Snow: “Informer, yanosabadleadicky agoblam, a likkey boom boom meow.”

Who would be your dream musical guest?
Oh, the possibilities are endless. Reggie Watts would be amazing. That guy is awesome and the things he does with his piano/synth machine is incredible. And let’s be honest, who wouldn’t want Wayne Brady? That guy can make up lyrics like nobody’s business.

Biggest achievement so far?
We made money once! Seriously!

What’s next on the horizon?
“Special Features presents: The Unsung Sequel” is a monthly show, taking place every last Saturday of the month at the Black Swan Tavern. We always have killer hosts and musical guests. Not to mention a completely improvised movie sequel that the audience gets to choose for us. On June 30, we’re having our first-anniversary show. It’s going to be a big event for us. Returning musical acts, some fresh faces too. We’ll be remounting some of our favourite improv songs. And maybe some prizes. 


The details:

Year established: 2011
Cast members: Hugh Cameron, Richard Comeau, Jaclyn Fleming, Jennifer Hoffman, Michael Bennett Leroux and Dale Wells. With Chris New on piano and Paul Aihoshi on guitar. (Robin Hatch also plays keys but she’s on hiatus right now, being all famous stuff, touring with a popular band!)
Influences: Aside from all the other comedy troupes you’ve already covered (seriously, they’re all incredible) I’d have to say Natasha Boomer has had a large influence on us. She’s an incredible teacher and mentor, so very talented and her passion for musical improv is a big reason why Special Features is around today.
Catch them at: Black Swan Tavern, 154 Danforth Ave., 416-469-0537. April 28, 8 p.m.

Chloé Comme Parris: inside one of Toronto’s hottest fashion brands

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Chloé Comme Parris is one of the hottest young Toronto-based labels. Run by sisters Chloé and Parris Gordon, the line has recently moved into a new studio just off Queen West on Ryerson Avenue. We caught up with the sisters to discuss their work, the fashion scene in Toronto and what we can expect from their next collection.
 

Chloé Comme Parris has swiftly gained recognition in the Canadian fashion world. What has helped make you stand out from other designers?
Parris: What we’re doing is different, and that is definitely being recognized. We’re very conscious of our brand, and have incorporated textiles, fashion, bags and jewellery into it. People have noticed that we’re really creating an image that’s not just one note.  

You were both born and raised in Toronto, but chose to go to the Nova Scotia College of Art and Design. What was the appeal out east?
Chloé: Well, I wanted to break free from my parents, and Halifax was far enough away but still felt familiar. The classes at NSCAD are small and very specific, and they grow smaller and smaller the deeper you get into the program.

In the past you have criticized the fabrics available in Toronto — is sourcing still an issue? Where do you find your fabrics?
C: The high-end fabric selection in Toronto isn’t very good. Vancouver has a good organics company and we get most of our knits done in Canada; otherwise, we do lots of sourcing in New York and Europe — that’s where the quality is. If you’re investing in a garment, it should feel awesome on.

Do you hope to continue growing the brand here — like Jeremy Laing — or head to New York or elsewhere?
P: Now we’re very content to be in Toronto, but we definitely want brand presence in New York.
C: New York is where the sales are, but you save lots of money staying in Canada. Unfortunately, you can’t rely on the Canadian market…. We’re going to take opportunities as they arise, and determine what will be best for both the brand and us.  

Chloe comme Parris studio showing designers at work
Chloé Comme Parris recently moved into a new studio on Ryerson Avenue

How has Torontos fashion scene changed in recent years?
C: The Fashion Collective [who work with the sisters] has brought some new life here. Once they get more control they could really change Toronto. The Fashion Design Council of Canada [which runs Toronto Fashion Week] is very loyal to the David Dixons and whatnot, but there needs to be room for growth.
P: They [the Fashion Collective] really care about the designers.
C: They’ve been an amazing support team and really helped us align with the right contacts. My thinking is that if Canadian designers did a showing in New York, we’d get way more attention. There’s no money to be made from Toronto Fashion Week — the buyers are already done for the season.

Which Canadian designers do you look up to?
C: Jeremy Laing for sure — he’s taken an extremely humble, but well-calculated route. We have lots of respect for him.
P: Erdem Moralioglu is great and he’s done an amazing job creating an international presence living abroad. Denis Gagnon is wonderful, and is a real artist. Sid Neigum has a clear vision too and is well-respected in the community. He actually just moved to Toronto from New York due to living costs there.

What’s the next step for Chloé Comme Parris? Would you be interested in a collaboration like so many designers are doing now?
C: We’re interested in doing an “it bag” in the future. [Chloé designs the shapes; Parris the hardware.] We’re thinking about the entire look — once the ready-to-wear gains momentum, then we’ll move into other things.
P: We would love to design shoes — that’s something you progress to. It would be amazing.
C: I did a school project where I worked with a cobbler to make shoes, including a pair of thigh-high gladiators. It was definitely a learning process.

Who would you like to see in Chloé Comme Parris?
P: It would be awesome to see our stuff on editors.
C: My ultimate style icon is [Vogue Paris editor-in-chief] Emmanuelle Alt, she always has on something amazing that’s super effortless.
P: Rooney Mara would look great in our stuff and Kirsten Dunst is a classic beauty who will wear something like a tuxedo on the red carpet.

Have you started work on Spring 2013 yet? Can you give us any hints about what to expect?
C: We’ve been working on the collection for the past three weeks now. There are definitely some changes in our colour palette. I always look up to Miuccia Prada because her shows are always really exciting and you’re not sure what to expect. I never want people to be bored, or know what they’re in for.

What are your stomping grounds around town? Where do you both like to shop and eat?
P: Libretto’s a favourite for sure.
C: Origin too. And now that we’ve moved studios, we’re checking out places in the area like Come and Get It — our friend owns it — and Banh Mi Boys.
P: We shop Goodwill as well as Holts, The Bay and Jonathan & Olivia. The Narwhal’s great — we’re biased cause we’re carried there — but they have amazing stuff. We also love Fawn, the owner has a great eye.

Melanie Fiona: From Cee Lo Green to the Grammys

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Surround yourself with good people and things have a tendency to go your way. In the case of singer Melanie Fiona, working with Kanye West, Cee Lo Green and Alicia Keys seems to have done the trick — to the tune of two Grammy Awards and a future without limits.

The Toronto-born R & B artist recently won her first two Grammys for Best Traditional R&B Performance and Best R&B Song for her Cee Lo Green collaboration “Fool for You.”

“It was a dream come true for me,” says Fiona, of winning the awards. (On the actual night, she was so excited she ran through the auditorium and up to the stage in towering platform heels and a floor-length gown to accept her first Grammy.)

“It means that if I never do anything else, I can say I achieved a high level of accomplishment in the music industry.”

But most critics seem to agree that Fiona is just getting started. At 28, the singer has just released her second album, The MF Life. She is co-managed by Roc Nation, the record label/management team founded by industry mogul Jay-Z, which manages superstars such as Rihanna and Shakira. Plus, she’s already toured as an opening act for Kanye West and Alicia Keys.

It becomes obvious during the interview that Fiona makes things happen for herself and doesn’t waste much time.

The second child of Guyanese parents who emigrated to Canada in the 1970s, Fiona spent her childhood in North York and moved to Vaughan as a teenager with her parents and older brother. She attended St. Joan of Arc Catholic High School. And this might drive a few people crazy, but the immensely talented Fiona says — with the exception of a vocal lesson at the age of 12, which she claims she “hated” — she hasn’t had any vocal training, and that singing just came naturally.

It’s no surprise, then, that music played a formative role in her life growing up. Her father played guitar in a band that performed at weddings, and she remembers music was always on in the background at home. “We are all big music lovers,” Fiona says. “It was instinctive that music would be what I wanted to do, and my parents supported that.”

Fiona says she realized in her mid-teens that she excelled at singing, even though she’d always known in the back of her mind she wanted to be a musician. At the Grammys, her mother surprised her with a book she kept from Fiona’s kindergarten years, in which she had written — at the age of four — that she wanted to be a singer.

But when she made the decision to forgo university acceptance and pursue a career in music, it was a tough decision for everyone — including her parents.

“They moved here [to Canada] for a better life, so this was a big blow for them,” she says. But she didn’t give up on education altogether, instead opting to enroll at Seneca College. While there, Fiona pursued her musical career alongside academics. For a short time, she sang at a local club in Toronto with a group called Renaissance — with another Canadian recording artist who’s doing all right for himself. You’ve heard of Drake, right? (No Grammy Awards though, ahem.)

“He threw me into the ocean of sharks. I survived, and it put me on the map.”

After a stint in an all-girl group, Fiona decided to go it alone and started working with a Toronto-based manager (whom she met through a mutual friend). After forming her own production company, Title 9, she started making inroads in the Los Angeles music scene while maintaining her studies. She gives a lot of credit to her manager, Carmen.

“I love having a female manager because she’s about ‘You can do it all,’” Fiona says.

Her big break came after she signed with SRC Records and Universal Motown in 2007. Although she had yet to release an album, Kanye West heard her sing and asked her to be the opening act for his Glow in the Dark tour overseas in 2008.

“He threw me into the ocean of sharks,” Fiona says. “I survived, and it put me on the map.”

Fiona’s 2009 debut album, The Bridge, earned her a first Grammy nomination in the Best Female R&B Vocal Performance category for “It Kills Me,” which topped the U.S. Billboard R&B singles chart for nine weeks.

She says her new album, The MF Life, showcases her development as a singer and her versatility by incorporating a myriad of styles from hip hop and reggae to Motown.

“It’s all in the interest of growth,” says Fiona. “The key thing I want to impress upon anyone who listens to The MF Life is the idea that it’s possible to learn from everything that comes at you,” she continues. “That’s been my process. It’s why, on the surface, the ‘MF’ in the album title represents my initials, but it also gets at the many facets of myself as an artist and a young woman.”

The album features songs about taking control and changing your life’s direction, pop-infused upbeat rhythms meant to empower — but at the same time “involving many highs and lows,” she explains.

It also includes new collaboration with artists such as T-Pain and B.O.B. Neo-soul singer John Legend is featured on the track titled “L.O.V.E.,” and the lead single “Gone and Never Coming Back” was co-written and produced by hit-making machine Andrea Martin.

With so many heavyweights behind her, one would think nothing in the industry would phase Fiona, but the newly minted Grammy winner laughs as she talks about how nervous she was upon first meeting Cee Lo Green. They met at the Soul Train Awards in Atlanta. Encouraged by her manager, Fiona introduced herself.

“I had won Best New Artist, and I loved Cee Lo,” Fiona says. “My manager said, ‘Talk to him,’ and I said, ‘But he’s Cee Lo,’ and she said, ‘You’re Melanie Fiona. Talk to him.’”

Fiona told him on the spot she’d like to work with him.

Now based in New York City, Fiona visits Toronto regularly to see family and friends. She especially loves coming here for the food, she says. “Whether it’s in my mom’s kitchen or at a restaurant downtown, I love to eat in Toronto.”

Her burgeoning career continues to take her away from her hometown. She’s hoping to tour soon, although she’s not sure who she’ll be on the road with this time. She says she’d love to do a tour with Adele. “After Kanye West and Alicia Keys, the bar is high,” she says.


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